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DO NOT CROSS
2014
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2014
The two-part video installation 'DO NOT CROSS' shows rides alongside border fences in the United States, Belfast and Jerusalem. The rides are presented as stop motion videos composed of single-panorama shots. The images are taken from a common
Culture of the Selfie: Self-Representation in Contemporary Visual Culture
2017
Peraica, Ana. Culture of the Selfie: Self-Representation in Contemporary Visual Culture. Theory on Demand, Amsterdam: Institute of Network Cultures, 2017.
Variant Analyses, Interrogations of New Media Art and Culture
2015
Lichty, Patrick. Variant Analyses, Interrogations of New Media Art and Culture. Theory on Demand, 1 th ed.Amsterdam: Institute of Networked Cultures, 2015.
Blue Window Pane II
1998
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2000
"Blue Window Pane is a CAVE virtual reality art experience that includes networking, live video, and sound activated graphics. Participants explore and actively ignite events to gain a knowledge base through exploration and perceptual interaction.
Alba Triana
Alba Triana has received recognitions such as the Prix Ars Electronica 2023 Award of Distinction, the CIFO 2023 G&C Award, the South Arts 2020 State Fellowship, the Civitella-Ranieri 2018 Fellowship, and the Oolite Arts Residency. Alba’s work
Thomas Porett
The foundation of my work has always begun with the photograph, which has been rightly considered a “moment” often effectively standing as a singular, self-contained expression. Although this is certainly one important aspect of photography, it has
Soyez réalistes, demandez l’impossible!
2008
Kisseleva Olga. Soyez réalistes, demandez l’impossible!. Arles: Semaine, 2008.
Objects of virtual desire
2005
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2005
This project explores the value of immaterial production in a virtual world, and if and how this can be transferred into an economy of material production. We have collected a series of immaterial objects produced and owned by inhabitants in the
Self-Portrait
2010
The Behaviour of Objects is rAndom’s first gallery exhibition in London with Carpenters Workshop Gallery in Mayfair. Exhibiting both ‘Swarm Light’ and ‘Self Portrait‘, the show lays the ground for a significant expansion of the studios’ performative
TANGENT_FEAR: Inviting Horror
2006
TANGENT_FEAR presents the artistic research project Inviting Horror by Karen Lancel and Hermen Maat in which the experience of fear in public space is investigated. In a world in which daily activity is monitored through electronic technologies
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