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  • ELO 2022-E2Lit -
    The work combines various mediums and literary genres (the cookbook’s taxonomy and authoritative style, scientific papers, children’s rhymes…) to reshape its own and presents the reader with complex assemblages on entangled phenomena related to
  • Hors Pistes analiza el universo del deporte desde un prisma político y crítico —desarrollando paralelismos con la sociedad— al tiempo que poético, sobre la reapropiación por parte de los artistas de las formas, códigos e imaginario del deporte, para
  • Casares, Nilo. El último mono desafía a Darwin In Hecho Artístico y Medios de Comunicación (III Seminario de la AVCA), edited by Asociación Valenciana de Críticos de Arte (AVCA)Vol.1. , 4. Valencia, Spain: Colección Formas Plásticas de la
  • Sommer, Lucia. Simon Penny´s Electronic Critique: Notes on the Politicization of Art Against the Aestheticization of Politics Cultronix 1, no. 1 (Summer 1994).
  • Benayoun, M.. Preface: “L’artiste, la fusion critique et le neuro-mimétisme urbain” Chronotopies, Lecture et écriture des mondes en mouvement (2017).
  • Berlot, Uršula. Neuroart, neuroaesthetics and the question of consciousness Journal for the Critique of Science, Imagination, and New Anthropology. Ljubljana: Inštitut Časopis za kritiko znanosti XLIV/265 (2016).
  • Berlot, Uršula. Biomimesis and Contemporary Art Journal for Critique of Science, Imagination and New Anthropology. Ljubljana: Študentska založba XXXIX, 2011, no. 244 (2011).
  • House Fire
    Cardiff and Miller have been working collaboratively and individually for two decades. Together the pair achieved international renown with their collaborative works The Dark Pool (1995/96) and Muriel Lake Incident (1999). House Fire is a four and
  • Romy Achituv is an experimental interdisciplinary artist whose work engages issues of representation, language, time, and memory. Underlying his practice is an ongoing interest in the language of visual representation and in dynamics of
  • Anker, Suzanne. Three Questions: A Holy Trinity or Three Blind Mice Institutional Critique to Hospitality: Bio Art Practice Now (May 2017): 37-50.