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For the 10th anniversary, almost 1000 entries were submitted to the organising team for the various sections of the festival. In addition to Great Britain and the USA, numerous contributions were sent from New Zealand, Japan, Romania and Brazil.

EMAF 1998 addressed the structures of a mediatised society shaped by the simultaneousness of different systems. In everyday life, too, we are surrounded by perception situations taking place in parallel, explained the American Pat O’Neill, to whom

Event: Currents New Media FestivalInstitution: CURRENTS: SANTA FE INTERNATIONAL NEW MEDIA FESTIVALComment:

http://www.artjaws.com/en/variation-artjaws-media-art-fair/

Event: VARIATION MEDIA ART FAIR 2017Institution: ArtJawsComment:

Event: Re:Trace - 7th Conference for the Histories of Media Art, Science and TechnologyInstitution: Society for the Histories of Media Art, Science and TechnologyComment:

Art Net Lab is a exhibition project of the Academy of arts and design of the Ljubljana University, Video-New media department

EMAF 2001 offered an examination of the present, increasingly dominated by information and media technologies that varied between play and reflexion. During the festival both the virtually endless possibilities of new aesthetic styles of composition

Virtual actor or: how real is reality? The congress at EMAF 2002 explored films in which avatars (characters created on the computer) or "human" actors rather than real human beings act in virtual environments. This topic was reflected also in some

The guiding theme of EMAF 2004 triggered numerous associations: transmitters, emitters, carriers or x-mitters – visualised by all kinds of dove species depicted on the festival’s posters, billboards and catalogues this year. In line with this