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Seen
2002
-
2002
"Seen" is an extrapolation on "Watch", using the whole of Piazza San Marco in Venice as the source material. The installation is made up of 4 video projections whose video material are calculated live from a single video source. (source:
AlloBio
2005
Organic in the sense that it will become a growing architecture. (source: http://risco3.wordpress.com/2006/05/25/deep-thought/)
Eduction: AlienWithin
2004
And so Eduction: the "alien within", as a hybrid architecture of real and virtual, as performance, as installation and concert, opens the horizon of virtual worlds capable of interacting at the deepest levels of mental activity of the surfing
Recollections I-IV
1981
-
1997
Recollections IV is an interactive video installation that invites the participant to move in front of a large video projection screen. As the person moves, his or her image is recorded by a video camera and passed on to a computer with special
Sym-Ulations
1984
-
1995
Sym-Ulations allows participants to explore the asymmetry of their own faces.It also allows them to use their own face to create humorous impossible faces. User Interaction: The user holds a "Setup" button and sees a mirror image of his face
Do-Undo
1993
-
1995
Do-Undo allows a participant to do perform movements in a spaceand immediately see the movements forwards and backwards. User Experience: The participant stands in a space in front of a camera and video projection system. On the screen
Dancing with the Virtual Dervish
1995
-
1995
... Dervish provi
des
interaction and chance...
Elastic Surgery
1995
-
1995
... acts like a t
rue
mirror, with the warped...
History of the Main Complaint
1996
History of the Main Complaint addresses issues of memory, truth, and reconciliation—issues that gripped South Africa in the immediate post-apartheid period, during which the Truth and Reconciliation Commission held public hearings to recover lost
The Shredder
1998
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1998
Shred the Web! An Alternative web browser that turns web pages into digital confetti. At a time when the web browser struggled against print metaphors like magazine and newspapter to find it's own identity, The Shredder revealed the "soft" nature of
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