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Part II is a live dance theater performance with master improviser and former William Forsythe/Ballett Frankfurt dancer Michael Schumacher. During the fifty minute work, the spectators experience a person undergoing the traumatic transformation of

Video, 4 min 13 sec, color, sound An experimental documentary, part of the web project "Women of a Certain Age"

4 projector slide dissolve work 2010 The work is a meditative piece that follows the 10 or more ways that come together in the cell to cause it to die and us to age; the protein debris that accumulates, the chromosome damage produced, etc. etc. The

A dynamic sculpture inspired by the volume and behavior of an idealized cloud. Made from polycarbonate tiles that can fade between transparent and opaque states, its patterns are transformed periodically by real time weather data from around the

Expanded Self has been realised for the documentary film 'Wir sind Planeten', produced by ServusTV-Terra Mater. Since 2008, Sonja Bäumel is exploring the human skin and its potential. This project is part of her on-going research and creative

“Homes” is an interactive installation, which shows the exact, detailed virtual copy of the interior of three Tai O fishermen's family houses. The visitor can walk through, look around, and examine details of the interiors by using a simple computer

"Time Jitters" is a two channel video that has been exhibited as a diptych as well as part of an interactive installation. Part 1 is a grid of twenty-five animations all of which loop at different rates becoming a cacophony of pulsing color and

BioArt – Art from the Laboratory, is a documentary about bioart. A co-production of styblo.tv, ORF and ARTE, © 2011. "BioArt – Art from the Laboratory" is representing ORF at the 2012 Rose d'Or Competition in Lucerne, as well as at the 2012

SKOR | Foundation for Art and Public Domain Two neon signs are superimposed one upon the other. One in green says "Resistance is Fertile", while another one in red says "Resis tance is Futile". When one sign is lit, the other statement is quiescent.

In Brainwash the actor and audience watch the turning of a black and white striped drum. This drum is both an early cinematic zoetrope and a diagnostic neurological tool. Certain individuals suffer from cerebellar tumors and strokes leading to a