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  • Great Wall of China -
    The Great Wall of China is conceived for simultaneous realisation across media, including a Website (1995-96), a CD-ROM with portfolio of prints (1997-99) and an interactive installation (1999). The foundation of The Great Wall of China is a
  • The guiding theme of EMAF 2004 triggered numerous associations: transmitters, emitters, carriers or x-mitters – visualised by all kinds of dove species depicted on the festival’s posters, billboards and catalogues this year. In line with this
  • RECORD>AGAIN! -
    RECORD>AGAIN! 19.09.09–15.11.09 The exhibition of the ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe (Centre for Art and Media Technology) continues its project of the technical and scientific processing of video art initiated by the ZKM in
  • Machines & Souls -
    ... light, light that changes colour faster than the...
  • Prophylexis -
    Kapton material was developed in sixties by Dupont, a chemistry american company. From the very beginning it was one of the main used materials by aeronautics industries for it´s hot and radiation isolates properties what was become in the ideal
  • BioARTCAMP -
    BioARTCAMP is a two-week residency program at The Banff Centre directed by Dr. Jennifer Willet from The University of Windsor, Canada. BioARTCAMP is a hybrid workshop / conference / performance event where 20 national and international artists,
  • ...Equipements which exchange views between two persons. You can only...
  • Mirrors of the Unseen -
    Site specific ceiling drawing Regional hospital Hohenems (A), competition The work 'Mirrors of the Unseen' for the regional hospital Hohenems deals with technically generated images, with questions of translatability and the interpretation of
  • Simon Schiessl is an engineer and artist. Trained in physics and engineering in Munich and Berlin, he designs and fabricates interactive media systems. Currently, he is a candidate for an MS degree at the MIT Media Lab. Schiessl is an artist whose
  • Free Range Grain -
    Free Range Grain was a live, performative action that used basic molecular biology techniques to test for genetically modified (GM) food in the global food trade. CAE wanted this interventionist performance to demonstrate how the "smooth space" of