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  • International Society For Electronic Art (ISEA) 2016 Hong Kong, -
    Ellen Pearlman, Andrew Demirjian, Heidi Boisvert, Cassini Nazir, “Creative Work and Well Being”,
  • Televirtual Chit Chat video
    During Imagina '93 computer graphics installations in Monte Carlo and in Karlsruhe were connected by modem through a conventional telephone line. Facing large video screens, the two distant players each shared the same virtual image space.
  • Place - A User's Manual video
    This work extends the tradition of panorama painting, photography and cinematography in the vector of simulation and virtual reality. The viewer can interactively rotate a projected image around a circular screen and so explore a virtual
  • Pinocchio Interactive video
    Pinocchio Interactive is a dynamic installation which integrates: robotic, animation, digital fantasy and interactivity. It is a ludicrous experience which is filled with surprises, tricks and wizards of the life of pinocchio in the version 2000.
  • Der neue Raum im elektronischen Zeitalter
    Weibel, Peter. Der neue Raum im elektronischen Zeitalter In Außenräume, Innenräume. Der Wandel des Raumbegriffes im Zeitalter der elektronischen Medien, edited by Heidemarie Seblatnig and Gesellschaft für Filmtheorie, 65-74. Wien:
  • Art and Telematics: Towards a Network Consciousness / Kunst und Telematik / L´Art et le télématique
    Ascott, Roy. Art and Telematics: Towards a Network Consciousness / Kunst und Telematik / L´Art et le télématique In Art + Telecommunication, edited by Heidi Grundmann, 25-67. Vancouver: The Western Front, 1984.
  • Analog-Digital-Spiegel und Blind Genes -
    The Analog-Digital-Spiegel (programming by Reinhard Möller) shows how an analogue portrait (corresponding to sensory experience) changes into its digital (dismantled and computed) text base. A camera, which is integrated in the projection screen,
  • //**Code_UP -
    //**Code_me_UP investigates the role of the code in the meaning construction and the forms of visibility mediated by mobile communication devices. In the exhibition space, the audience can capture pictures with cell phones with camera and send
  • The Schkolne Number -
    The Schkolne Number is a dimensionless quantity representing the ratio of ones height to that of Steven Schkolne. (source: http://schkolnenumber.com/)
  • Natural history of the enigma -
    The central work in the "Natural History of the Enigma" series is a plantimal, a new life form I created and that I call "Edunia", a genetically-engineered flower that is a hybrid of myself and Petunia. The Edunia expresses my DNA exclusively in its
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