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Jane Tingley
Jane Tingley is an artist, curator and Assistant Professor at York University. Her studio work combines traditional studio practice with new media tools - and spans responsive/interactive installation, performative robotics, and telematically
LAb[au]
LAb|au| developed a transdisciplinary and collaborative approach based on different artistic, scientific and theoretic methods, examining the transformation of architecture and spatio-temporal structures in accordance to the technological progress
DECODE
Event: DECODEInstitution: VSMM - International Society on Virtual Systems and MultiMediaComment:
parallel
2012
-
2017
... which is otherwise
real
ized mainly in agricultural...
Decode: Digital Design Sensations
2009
-
2010
Decode: Digital Design Sensations showcases the latest developments in digital and interactive design, from small, screen-based, graphics to large-scale interactive installations. The exhibition includes works by established international artists
Micromovements in Snapshots
2014
-
2014
video
Animation is an illusion of movement. Movement is based on space and time. SPACE. My work consists of several short animations. Every animation is based on only one photograph. Every photo contains several visual elements, and every photo creates
Decodieren von Subtexten. Erforschung a-logischer Strukturen
2000
Zielinski, Siegfried and Hans Ulrich Reck and Thomas Hensel, ed. Decodieren von Subtexten. Erforschung a-logischer Strukturen. In: Lab - Jahrbuch 2000 für Künste und Apparate, 2000 th ed.Cologne, Germany: Verlag der Buchhandlung Walter König, 2000.
bit.flow mk2
2007
-
2008
julius popp bit.flow mk2, 2007-2008 Mixed media Courtesy: Dogenhaus Galerie, Leipzig Navigation through the modern world is no longer linear; the thread cannot serve as a model for its description. In bit.flow mk2 dozens of tiny pieces of the
Decoding the Flow – Paolo Cirio
2013
Event: Decoding the Flow – Paolo CirioInstitution: Museum of contemporary cutsComment:
Telescanfax
1991
-
1991
video
The procedure consists of reading the current images from television with a hand scanner and then directly sent these images transformed by a fax/modem card (or hard copy). In this way the image movement is decomposed and we have a
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