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  • European Media Art Festival 2009: The Future Lasts Longer Than The Past
    In 2009, the EMAF portrayed over 2000 years of media history with its large exhibition entitled “Image Battles” in cooperation with the Museum of Industrial Culture Osnabrück, Kunsthalle Dominikanerkirche and Erich Maria Remarque Peace Centre. In a
  • A-Volve – Evolucion Artificial
    Sommerer, Christa and Laurent Mignonneau. A-Volve – Evolucion Artificial In En entorno interactivo en tiempo real, catalog for ARCO 1996, edited by Leyla Ishi-Kawa and Lome Falk and Machiko KusaharaMadrid, ES: ARCO, 1996.
  • Quand la l´imaginaire devient realite virtuelle: Á props de myth entourant les technologies du virtuel
    Bardini, Thierry. Quand la l´imaginaire devient realite virtuelle: Á props de myth entourant les technologies du virtuel Interface: La Revue de la Recherche (January 1996).
  • Jules Verne
    A virtual projection installation created the illusion of looking through the theatre entrance doors at fictional scenes situated in the real space outside the theatre. The installation used the same augmented-reality technology that was first
  • European Media Art Festival 2011: This is Media Art
    2011 – the year of the tsunami and nuclear disaster in Japan – but also the year of celebrations to mark 150 years of friendship between Germany and Japan. EMAF joined in the festivities by presenting the programme “Japanese Media Art Now”,
  • European Media Art Festival 2008
    We had reason to celebrate: the European Media Art Festival was held this year for the 25th time, and has therefore been presenting the current trends of the international media scene in Osnabrück each spring for a quarter of a century. Of course
  • Going to the Heart of the Center of The Garden of Delights video
    The installation was made specifically for the neo-Gothic Vleeshal in Middelburg and consisted of a computer graphics video projection onto a large screen at the far end of the room opposite the entrance. Infra-red sensors and seven pairs of blue
  • Digitale Abstraktionen -
    The exhibition entitled Digital Abstraktionen is on view at the Basel House of Electronic Arts (HeK) in April and May 2016. The exhibition is curated by Alexandra Adler and Reinhard Storz. The project Digital Abstraction explores abstract works of
  • Seeing is believing -
    The installation to see the invisible. An installation for a one-man exhibition at Hiroshima City Museum of Contemporary Art,Japan. "Seeing is Believing" consists of three works. "Empty Entity" infrared ray electric light display, "Sheep"
  • Air-Liquid Display Sculpture
    Between two sheets of perspex, 32 channels have been woven out of a transparent plastic tubing. Extending approx. 30m, these channels run from the outside of the building, over and through te front entrance, and thenm along the ceiling of the foyer
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