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  • kondition pluriel
    kondition pluriel is an interdisciplinary digital performance group founded by choreographer Marie-Claude Poulin and media artist Martin Kusch in 2000. Integrating body-based performance and digital arts, the artists generate a language outside of
  • Sue Hawksley
    Sue Hawksley graduated from the Royal Ballet School in 1983. She has performed with Mantis, Scottish Ballet Steps-Out, Rambert Dance Company and Philippe Genty, working with choreographers such as Trisha Brown, Merce Cunningham, Richard Alston,
  • passage video
    Spectators enter an intimate space to meet face-to-face with a performer offering her body as an interface to the media environment. Performer's outfit and scenic environment are equipped with touch sensors, theremins, and multiple buttons and
  • passage video
    Spectators enter an intimate space to meet face-to-face with a performer offering her body as an interface to the media environment. Performer's outfit and scenic environment are equipped with touch sensors, theremins, and multiple buttons and
  • chris Ziegler
    Chris Ziegler (*1963, Karlsruhe, D) is media artist and director since early 1990‘s of numerous international collaborations of interdisciplinary projects in the field of new media with the performing arts. He holds a Diploma in Architecture,
  • Spiral and Waves — The Female Image and Identity in Experimental Films and Videos by Women Filmmakers, Choreographers and Performance Artists
    Moore, Lila. Spiral and Waves — The Female Image and Identity in Experimental Films and Videos by Women Filmmakers, Choreographers and Performance Artists Master Thesis, Central Saint Martins College of Art and Design, London, 1989.
  • Nevel -
    A matrix of nine pivoting walls forms a labyrinth whose architecture continuously changes. A sequence of different compositions creates choreography of spaces flowing into one another. It is an auto choreographic space to wander and get lost in,
  • Choreographic Computabilities
    Pollitt Jo and Nancy Mauro-Flude. Choreographic Computabilities 1 (2023): 50–57.
  • Kinetic Light and Mirror Sculpture video
    This sculpture enabled beams of light to be dynamically moved over Genesis's entire stage as well as out into the auditorium. It was constituted by six large mirrors which were all pivoted on two axes respectively and could be rotated in all
  • Universusmulti - video
    It records choreographies of moving bodies in real space, generating drawings on the electronic screen by different groupings of moving figures. The scenes are recorded by cameras in shots from above and at a distance, transforming the moving bodies
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