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Choreographic Computabilities
2023
Pollitt Jo and Nancy Mauro-Flude. Choreographic Computabilities 1 (2023): 50–57.
Kinetic Light and Mirror Sculpture
1978
video
This sculpture enabled beams of light to be dynamically moved over Genesis's entire stage as well as out into the auditorium. It was constituted by six large mirrors which were all pivoted on two axes respectively and could be rotated in all
Universusmulti
1984
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1984
video
It records choreographies of moving bodies in real space, generating drawings on the electronic screen by different groupings of moving figures. The scenes are recorded by cameras in shots from above and at a distance, transforming the moving bodies
chris Ziegler
Chris Ziegler (*1963, Karlsruhe, D) is media artist and director since early 1990‘s of numerous international collaborations of interdisciplinary projects in the field of new media with the performing arts. He holds a Diploma in Architecture,
Timbral Architecture | Aurality´s Force: Music and Sound in the Choreographies of William Forsythe
2010
Salter, Chris. Timbral Architecture | Aurality´s Force: Music and Sound in the Choreographies of William Forsythe In William Forsythe and the Practice of Choreography, edited by Steven SpierLondon, UK: Routledge Press, 2010.
Telematic Choreographies and the Internet
2001
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2001
Event: Telematic Choreographies and the InternetInstitution: Choreographisches Zentrum NRWComment:
Programmed: Rules, Codes, and Choreographies in Art, 1965–2018
2018
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2019
Event: Programmed: Rules, Codes, and Choreographies in Art, 1965–2018Institution: Whitney Museum of American ArtComment:
Choreographisches Zentrum NRW
TransVersum
1993
video
TransVersum is a dance video directed by Marikki Hakola. The video is based on the original choreography by Ismo-Pekka Heikinheimo called "Come Quickly for I´m Seeing Stars". The theme of TransVersum is seeking of the expressions of identity and
You Fade to Light
2009
YOU FADE TO LIGHT Commissioned by Philips Royal Electronics / Milan 2009 ‘You Fade To Light’ is is an interactive media installation that provokes a kinesthetic dialogue between the viewer and their very own mirror image. The work encourages
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