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VII Symposium on Virtual Reality (SVR) 2004
2004
-
2004
The VII Symposium on Virtual Reality is an international forum, sponsored by (SBC), and organized by SENAC - SP , which brings together researchers, practitioners, students, and other professionals concerned with the advances and applications of
European Media Art Festival 2000:Now/Future
2000
-
2000
This year, EMAF’s congress – under the motto "European Digital Visions" – focused on the cultural self-image of our mediatised society including the i2tv live Demonstrator session with six on-line participants, on-site audience and the on-site
transmediale.13: Back when Pluto was a planet
2013
... “demoting” Pluto
from
its planetary status....
Optische Poesie
2011
Dencker, Klaus Peter. Optische Poesie. Berlin: De Gruyter, 2011.
William Kentridge: Black Box / Chambre Noire
2005
-
2006
Black Box / Chambre Noire konzipierte William Kentridge speziell für die Reihe der Auftragsarbeiten des Deutsche Guggenheim und wählte daher inhaltlich bewusst Deutschland, das Land des Auftraggebers, als Ausgangspunkt der Arbeit. Kentridge, der
Media Art L
earn
ing
2000
-
2002
...netzspannung.org/l
earn
ing/
Healthy Ecosystem and Fighting Dengue: Biodiversity, Affectivity and Infirmity of Landscapes in Social Software and Data Visualization
2016
-
2016
... mhealth process l
earn
ing experiences in the... Scientific information
from
technicians and
from
the...
Health, Technology and Environment: a report on mobilization against dengue
2016
-
2016
Event: Health, Technology and Environment: a report on mobilization against dengueInstitution: IUHPE World ConferenceComment:
Dengue na imprensa local: uma doença em notícia
2016
VELHO, ANA PAULA MACHADO and Diana Domingues and TIAGO FRANKLIN R LUCENA. Dengue na imprensa local: uma doença em notícia Verso e Reverso (Unisinos Online) 30 (2016): 1-9.
Der Mensch als "zweiter Gott". Motive der Wiederkehr eines kunsttheoretischen Topos im Zeitalter der Bildsimulation
1992
Bredekamp, Horst. Der Mensch als "zweiter Gott". Motive der Wiederkehr eines kunsttheoretischen Topos im Zeitalter der Bildsimulation In Interface I: Elektronische Medien und Künstlerische Kreativität, edited by Klaus Peter Dencker, Hamburg. :
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