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  • Tessarae of Venus -
    Tesserae of Venus imagines a strange future through dynamic photomontages of energy-producing landscapes and related drawings. McPhee borrows from the tectonics of Venus-tesserae, or ‘complex ridged folds,’ in order to structure her images of
  • transmedia '97 -
    The festival focused again on multimedia, innovative television and video. In 1997, the festival also integrated technological developments and philosophical discourses relevant to these media realms into the programme: brain research,
  • acrylic paint on plexiglass, UV light reflector dim: 105 x 180 cm (each, series of 7) Photo by: Boštjan Pucelj, Archive Gallery Krško; DK / Archive KIBLA A series of images on Plexiglas shows a selection of two-dimensional diagrams of skyrmion
  • Sabapathy, T.K. and Michelle Lim, ed. ADM 10th Anniversary Faculty Show "Beyond the Horizon" Catalog. Singapore: Nanyang Technological University, 2015.
  • DOMINGUES, DIANA MARIA G. Cyberart: some artistic, aesthetic, technological and poetic contents. Heterogénesis (2002): 54-62.
  • CrypoMania -
    The exhibition’s title, Cryptomania, is a composite of the word Crypto, a technological trend that expresses the encryption of private information as a reaction to the digital world that offers no privacy, and the word Mania, which expresses the
  • Solid Landscapes -
    In the video "Solid Landscapes", the artist “spells out” the never-ending growth of usable and productive (anti-)landscapes by reproducing and multiplying evidence of a dramatic change that is occurring in an incremental manner around the world. It
  • showing the work Future Room
  • Cadence (2022) by Kayla Parker is an animated film poem created with a constellation of common wayside flowers, gathered during walks on land reclaimed from the sea along the shore of the Laira estuary, on the coast of SW Britain.