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  • Palmer, Daniel. The Art of Real Time In Politics of a Digital Present: An Inventory of Australian Net Culture, Criticism and Theory, edited by Hugh Brown and Geert Lovink and Helen et. al. Merrick, 215-223. Melbouren, AUS: Fibreculture, 2001.
  • Pearlman,Ellen. Interface Criticism: Aesthetics Beyond Buttons by Christian Ulrik Andersen & Soren Pold Eds. Leonardo On-Line Reviews May.
  • Berlot, Uršula. Georges Bataille – On Art. Journal for the Criticism of Science Journal for the Criticism of Science, Imagination and New Anthropology (ČKZ) XXX (2002): 209 – 210.
  • Cáceres Abierto 2017 -
    Cáceres Abierto is a contemporary art and culture programme that integrates interventions in the public spaces, exhibitions, panels and workshops. A set of proposals that are symbolic as well as practical, respectful of the community and the
  • Professor of cultural and media studies at Lodz University, Poland, where he is a Chair of School of Media and Audiovisual Culture. Professor at the Academy of Fine Arts in Łódź. 2001 – 2006: Professor of Media Art and Media Theory, Academy of
  • Event: VII International Symposium on Art Criticism in a Global WorldInstitution: MACBA, BarcelonaComment:
  • Extruder -
    The automobile is a fascinating machine. Since its inception the automobile has driven us faster and faster into the future. Carving out the modern world, it has done brilliantly, reproducing itself by the multi-millions. Along the way it has
  • Mixed reality installation "COMBATscience Augmented II" is a mixed reality installation that critically reflects on science and its ethical implications, beginning with the gas attacks in World War I and continuing to contemporary research on
  • Look at This -
    The exhibition LOOK AT THIS invites visitors to reflect critically on the multitude of links between a work of art, the public, the space and the institution. At the same time, the show questions firmly established (western) perceptions. LOOK AT
  • Featured "These 7000 Oaks Do not Exist". NFT/GAN animation criticizing the CO2 emission of highly computational media for Beuys' 100th Birthday.