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  • A-Volve – Evolucion Artificial
    Sommerer, Christa and Laurent Mignonneau. A-Volve – Evolucion Artificial In En entorno interactivo en tiempo real, catalog for ARCO 1996, edited by Leyla Ishi-Kawa and Lome Falk and Machiko KusaharaMadrid, ES: ARCO, 1996.
  • David Tomas
    David Tomas is professor in the École des arts visuels et médiatiques at the Université du Québec Montréal. In addition to being an artist whose multimedia work explores the cultures and transcultures of imaging systems, Tomas has written articles
  • Victoria Vesna
    Victoria Vesna, Ph.D., is a media artist and Professor at the UCLA Department of Design | Media Arts and Director of the Art|Sci center at the School of the Arts and California Nanosystems Institute (CNSI). She is currently a senior researcher at
  • Euoprean Media Art Festival 2002: New Images - New Storie. Art in Modern Media.
    Virtual actor or: how real is reality? The congress at EMAF 2002 explored films in which avatars (characters created on the computer) or "human" actors rather than real human beings act in virtual environments. This topic was reflected also in some
  • Quand la l´imaginaire devient realite virtuelle: Á props de myth entourant les technologies du virtuel
    Bardini, Thierry. Quand la l´imaginaire devient realite virtuelle: Á props de myth entourant les technologies du virtuel Interface: La Revue de la Recherche (January 1996).
  • Jules Verne
    A virtual projection installation created the illusion of looking through the theatre entrance doors at fictional scenes situated in the real space outside the theatre. The installation used the same augmented-reality technology that was first
  • European Media Art Festival 2007: 20 Years of Being Confused
    To mark its 20th anniversary, the congress part of EMAF called "D-Fluxx" presented not only a kind of inventory entitled "Media Art History", but also a definition of the current position of Media Art. The film programme focused on the Cuban
  • European Media Art Festival 2009: The Future Lasts Longer Than The Past
    In 2009, the EMAF portrayed over 2000 years of media history with its large exhibition entitled “Image Battles” in cooperation with the Museum of Industrial Culture Osnabrück, Kunsthalle Dominikanerkirche and Erich Maria Remarque Peace Centre. In a
  • Going to the Heart of the Center of The Garden of Delights video
    The installation was made specifically for the neo-Gothic Vleeshal in Middelburg and consisted of a computer graphics video projection onto a large screen at the far end of the room opposite the entrance. Infra-red sensors and seven pairs of blue
  • Air-Liquid Display Sculpture
    Between two sheets of perspex, 32 channels have been woven out of a transparent plastic tubing. Extending approx. 30m, these channels run from the outside of the building, over and through te front entrance, and thenm along the ceiling of the foyer
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