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  • MediaArtLab
  • Imaginary Workspaces
    ... of invented images oscillate between retro futuristic labs, dystopian environments, desolate eating places, cinematic stage...
  • Phantom Waves
    ... featured an article titled “The Recognition of Faces” by Bell Labs researcher Leon Harmon that explained how we perceive pixelated...
  • MediaArtLab Center for Art and Culture -
    ...Event: MediaArtLab Center for Art and CultureInstitution: The Wrong BiennaleComment: Event: MediaArtLab Center for Art and CultureInstitution: The Wrong BiennaleComment:
  • Max Rheiner
    ... Interaction and Physical Computing (e.g. Physical Computing Labors). These research interests are also main components of his... Rheiner was trained as an electrician and studied new medias at Zurich’s Hochschule fuer Gestaltung und Kunst ( University...
  • How we Became Metadata -
    ... shapes our sense of privacy, identity, security, civic-ness, labour, sharing, peer to peer-ness, being together, and being itself...
  • O instrumento ludico ou o sentido dos sentidos
    ... dos sentidos In Conferencia Internacional sobre Technologias e Mediaco. Real vs. virtual, edited by Jose Braganca de Miranda,...
  • fünfnullplus -
    ... in particular the situation of women over the age of 50 on the labour market. Visual perception thus becomes a metaphor for the...
  • Tracking The Net, Interactive Art
    ... IX Festival internacional de video y multimedia de Canarias, Mediafest, edited by Canarias Mediafest, 123-128. Canarias, Spain: ...
  • This one's for the Farmer -
    ... as a commodity and part of a larger food production processes and labour, ‘This one’s for the farmer’ draws new representations. In...
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