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Dialogue with Leonardo da Vinci / The 4th Art & Science International Exhibition
2016
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2017
2016 Tsinghua University Art Museum "Dialogue with Leonardo da Vinci / The 4th Art & Science International Exhibition" (September 11, 2016 - December 9, 2016 | December 20, 2016 - March 19, 2017) Curated by: Yang Dongjiang With works by: Leonardo Da
House of Impressions. Classics and Contemporary of Media Art
2016
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2016
2016 Pushkin Museum House of Impression exhibition (26.05.2016 – 30.09.2016) Curator: Olga Shishko & Elena Rumyantseva Featuring: Chantal Akerman (Belgium-France), Tatiana Akhmetgalieva (Russia), Mona Hatoum (USA), Marianne Heske (Norway), Nan
Untitled
1987
On a square lattice at least one coordinate of an equilateral triangle must be irrational. An irrational number has no finite numerical representation. An equilateral triangle represented on a computer is inherently imprecise.
Wild
1994
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1994
Wild is an interactive virtual sculpture. The structure of the sculpture depends on the movement of objects within the local environment of the work. A video camera pointed at the viewers of the work and the local environment sends digitised
Babel
2001
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2001
Babel is a site specific work for a non-site. The context of the work is non-physical. The site is an abstract thing...information space and the taxonomy of knowledge that all libraries represent...which the Internet, where the project is realised,
Das prominente Gesicht. Vom face to face zum Interface
1999
Macho, Thomas. Das prominente Gesicht. Vom face to face zum Interface In Alle möglichen Welten. Virtuelle Realität - Wahrnehmnung - Ethik der Kommunikation, edited by Manfred Fassler, 121-135. München: Wilhelm Fink Verlag, 1999.
Aktionsforum Praterinsel
1993
Mûcsarnok / Kunsthalle Budapest
1896
Artpool
1979
Paul Thomas
Dr Paul Thomas, is Professor of Fine Arts at, UNSW Art and Design, UNSW Sydney. Thomas initiated and is the co-chair of the Transdisciplinary Imaging Conference series since 2010. In 2000 Paul instigated and was the founding Director of the Biennale
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