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  • Richard, Birgit. Biologie und Fake Life Construction - Kommunikationssplitter aus
    dem Netzsymposium zu LifeScience In Ars Electronica 1999: LifeScience, edited by Gerfried Stocker and Christine Schöpf, 30-46. Wien, New York: Springer Verlag, ...
  • BIOMA -
    Conceived as a sculpture/interface that obtains biometric color and sound data from the environment. The work is activated with a noise level higher than the one configured to start making a visual sweep that is altered by the sound wave. With this...
  • presenting "A-Volve" from the ZKM Media Museum Collection
  • Hauser, Jens. Biomediality and Art In Recomposing Art and Science: Artists-in-Labs, edited by Irene Hediger and Jill Scott, 201-219. Berlin: De Gruyter, 2016.
  • Robles-Angel, C. et al. Biomedical Signals in Media Art. Manizales: ISEA, 2018.
  • Biomer Skelters (“biome” + “helter-skelter“) is a crowd sourced, wild growth forest-to-rainforest propagator that creates a city-wide public artwork by connecting participants’ interior biorhythms to exterior urban ecosystems.
  • Biometric identificationsystems like Irisscanning use mathematical methods to identify personal characteristics. The BiometricSoundEngine works the same way. Personal data like the color information of the human iris is not used for surveillance or...
  • Berlot, Uršula. Biomimesis and Contemporary Art Journal for Critique of Science, Imagination and New Anthropology. Ljubljana: Študentska založba XXXIX, 2011, no. 244 (2011).
  • BIOMORPH! -
    2011 Hans Arp Museum "BIOMORPH!" (27th May - 22nd January 2012) Hans Arp, Angelika Arendt -Jackie Brookner, Bonnie Collura, Tony Cragg, Jachym Fleig, Julie Hayward, Bodo Korsig, Gerhard Mantz, Maix Mayer, Laurent Mignonneau & Christa Sommerer,...
  • Bioplay
    Hoppe-Sailer, Richard. Bioplay In Philosophie der natürlichen Mittwelt: Grundlagen - Probleme - Perspektiven, edited by Hans Werner Ingensiep and Anne Eusterschulte, 257-272. Würzburg: Verlag Königshausen and Neumann, 2002.