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Where Stones Can Speak: Dramatic Encounters in Interactive 3D Virtual Reality
2009
Thiel, Tamiko and Noah Wardrip-Fruin. Where Stones Can Speak: Dramatic Encounters in Interactive 3D Virtual Reality In Third Person: Authoring and Exploring Vast Narratives, edited by Pat HarriganCambridge, MA: MIT-Press, 2009.
SECOND PERSON
2006
Eliza Redux, Edited by Noah Wardrip-Fruin and Pat Harrigan. and . SECOND PERSON. : M.I.T. Press, 2006.
Darker than Night
1999
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1999
"Darker Than Night" is a telepresence artwork which explores the human-machine-animal interface and telepresence as a means of mediating relations of empathy. In this interactive piece, participants, a telerobotic bat (batbot) and over 300 Egyptian
Vanitas in a Petri dish
2013
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2013
Vanitas ( in a Petri dish), a series of digital photographs bringing the concept of vanitas into the 21st century. In prior centuries, vanitas paintings warned against the excesses of material culture. Expressing the futility of life and its
Extended Family
2004
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2004
"Installation with human beings (Homo sapiens), zebra-fish (Danio rerio), fruit flies (Drosophila melanogaster) and DNA microarrays. With “The Extended Family” the similarities between all live organisms are asserted. It will be shown that when
The Fruit Machine
1992
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1992
Event: The Fruit MachineInstitution: Mitsubishi Estate ArtiumComment:
Room for Manoeuvre
2006
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2007
The exhibition 'Room for Manoeuvre' features new works by Knowbotic Research (KRcF), known for their advanced network and media projects since the founding of the artist group in 1991. In a specially designed audio-visual installation including four
Museum for Insects
2013
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2017
video
Can we know insects through electronic and artistic interfaces? Do they know us? Can they experience art? Can we develop new relationships with them? I built a miniature museum space and used telepresent technologies to re-scale the situation and to
Greenhouse
2017
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2017
Greenhouse is a generative data visualization installation. The work is inspired by the problems of Taiwan and is based on the survey and analysis of big data. We gather and compile the big data from over seven hundred thousand fan pages on social
Digital Sustainability: From Resilience to Transformation
2022
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2022
Inspired by forms of animism, herbalism, panpsychism, and the care of sustenance networks, Badani’s 3D animations explore the intersectionality of the climate crisis and the COVID-19 pandemic. In 2019, a bio-based symbiotic interaction unfolded in
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