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reundschaft im Internetzeitalter. Du hast 100 neue Freunde
2011
Weber, Christian. reundschaft im Internetzeitalter. Du hast 100 neue Freunde [].
Digital by Design: Crafting Technology for Products and Environements.
2008
Freyer, Conny and Sebastien Noel and Eva et. al. Rucki. Digital by Design: Crafting Technology for Products and Environements.. London: Thames and Hudson, 2008.
Contact Zones/ The Art of CD Rom
1999
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1999
The CD-Rom plays a particularly challenging role in these developments. In providing artists with a broader "bandwidths" and more extensive data bases than can yet be readily accessed on the internet, the format of the CD-Rom challenges artists to
Night Canoeing
2004
In the video (plasma screen) and sound installation Night Canoeing, one sees a mysterious image of water, light and steam. Snippets of a river's edge reveal that you are in a boat, part of a journey on a river at night. As both film and sound
Das ist meine neue Freundin
DAS IST MEINE NEUE FREUNDIN This installation explores one example of the cyberfeminist protagonist: Lara Croft in the computer game 'Tomb Raider.' This mediawork is comprised of several elements: German poster advertising for the game,
Pensar el Arte. Corrientes Cálidas y Frías a partir de la posguerra
1996
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1996
Event: Pensar el Arte. Corrientes Cálidas y Frías a partir de la posguerraInstitution: Laesfera AzulComment:
Unknown Artist
1993
Pedjick, Bodjana. Unknown Artist. New York: Fricke & Schmid, 1993.
Revolution
1990
video
In this interactive laser-disc-based work the viewer has to push a protruding steel bar to rotate a column-mounted monitor which in turn animates the images on its screen. A friction plate forces the viewers to exert themselves physically. Turning
Dioramatized
2010
video
The installation DIORAMATIZED #02 is part of Rudi Knoops based PhD research. The central concept of the installation is introducing friction between the multiple layers of sound and vision. Perspectives that do not completely match, invite to
MULTIPLE voice/vision
2012
The installation MULTIPLE voice/vision is the output of a research project in the arts, with as focus how friction between multiple layers of sound and vision can be a trigger for embodied perception. A multitrack registration—for both sound and
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