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Das Publikum will Technik sehen. Der Künstler und Medientheoretiker Peter Weibel über die Wechselwirkung von Computern und Kunst 2000

Weibel, Peter. Das Publikum will Technik sehen. Der Künstler und Medientheoretiker Peter Weibel über die Wechselwirkung von Computern und Kunst Die Welt (February 25th 2000): 34.
Biotechnologie und Kunst 1981

Weibel, Peter. Biotechnologie und Kunst In Technik und Gesellschaft: Symposium der Technischen Universita?t Wien, 24.-30. 8. 1980, Lech am Arlberg, edited by Manfred Schmutzer and Technische Universita?t Wien and Interdisziplina?res
From Cybernation to Interaction: A Contribution to an Archeology of Interactivity 1996

Huhtamo, Erkki. From Cybernation to Interaction: A Contribution to an Archeology of Interactivity In Wunschmaschine Welterfindung: Eine Geschichte der Technikvisionen seit dem 18. Jahrhundert, edited by Brigitte Felderer, 192-207. Vienna/New York:
SonoMorphis 1998 - 1998 video

... patterns that have been... and sound are inseparably...
Playhouse 1997

... a fusion that experiments...
Morpho Tower Seroes (2006) 2006 - 2006

... iron core that is sculpted... the fluid are controlled...
Sono reMorphed 2007 video

... in demand, that is able to... positions are mapped to the...
Animal Locomotion 1996 - 2000

... so that when the next... shared with Thomas...
Harmonic Motion 2021 - 2023 video

... resonances that link all... and seen are inseparable...
MULTIPLE voice/vision 2012

The installation MULTIPLE voice/vision is the output of a research project in the arts, with as focus how friction between multiple layers of sound and vision can be a trigger for embodied perception. A multitrack registration—for both sound and

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