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The Red Horse Is Leaving
2018
-
2019
Erika Batdorf creates a portrait of her mother, Thaya Whitten, a painter who toured Canada in the 60’s doing controversial performance art. Through the use of biosensors, this interactive theatrical two-hander explores the meeting point of madness...
THE RED CAVALRY: CREATION AND POWER IN SOVIET RUSSIA
2011
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2011
Event: THE RED CAVALRY: CREATION AND POWER IN SOVIET RUSSIAInstitution: Tate ModernComment:
The Reconfigured Eye: Visual Truth in the Post-Photographic Era
1994
Mitchell, William J.. The Reconfigured Eye: Visual Truth in the Post-Photographic Era. Cambridge, MA: MIT Press, 1994.
The Recombinant Reality - Immersion and Interactive Image Spaces
2008
Grau, Oliver. The Recombinant Reality - Immersion and Interactive Image Spaces In Synthetic Times, edited by Fan Di'an and Zhang Ga, 72 -93. Cambridge, MA: The MIT Press, 2008.
The Real and the Virtual: Karl O´Donoghue Interviews Char Davies
1999
Crighton, Gary. The Real and the Virtual: Karl O´Donoghue Interviews Char Davies New Media Notes: Art and Technology in Ireland , no. 2 (March 1999).
The Reading Room
1997
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1997
Mixed media installation 10 x 6 x 4 metres
Aluminium construction, glass components, limited edition artists' books.
Jointly authored with Fiona Gunn, Christchurch, New Zealand.
(source: http://www.littlepig.org.uk)
The Radical Reverberations of the Body
2020
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2020
The Duckling Festival 2020
The Questions: Jodi
2015
Jacob Lillemose. The Questions: Jodi http://www.kunstkritikk.no/nyheter/modified-software/ [Kunstkritikk, June 2015].
The Question of Thresholds: Immersion, Absorption and Dissolution in the Environments of Audio-Vision
2009
Salter, Chris. The Question of Thresholds: Immersion, Absorption and Dissolution
in the Environments of Audio-Vision In See This Sound - Audiovisuologies 2, edited by Lentos Museum and Ars Electronica and Ludwig Boltzman InstitutKöln, DE:...
The Queensbridge Wind Power Project
2005
Event: The Queensbridge Wind Power ProjectInstitution: Contemporary and Classic Navy Pier Art ExpoComment:
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