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  • Autopoiesis -
    Autopoiesis, is a robotic sculpture installation commissioned by the Kiasma Museum in Helsinki, Finland as part of Outoaly, the Alien Intelligence Exhibition curated by Erkki Huhtamo, 2000. It consists of fifteen robotic sound sculptures that
  • Latent State - video
    This project was developed during 2009 as part of my MFA thesis at the Design Media Arts department at UCLA. It consisted in the creation of a live cinema piece using a number of resources for real-time AV performance and a combination of digital
  • Portrait on the Fly – Video Portraits ©2015, Laurent Mignonneau and Christa Sommerer represented by: DAM Galerie Berlin, Galerie Charlot Paris GPL contemporary Vienna This is an ongoing digital archive which consists of short video sequences where
  • Allen, Rebecca and Erkki Huhtamo. I Always Like to Go Where I Am Not Supposed to Be In Women, Art, and Technology, edited by Judy Malloy, 224-241. Cambridge, MA: Massachusetts Institute of Technology, 2003.
  • Myriam Thyes, *1963 in Luxembourg, grew up in Zurich, lives in Düsseldorf. 1986-92 Düsseldorf Art Academy, Prof. Nan Hoover. Exhibitions and festivals since 1994, including: 2004 Marl Media Art Awards; Transmediale Berlin; 2005 Kunstfilm Biennale
  • Huhtamo, Erkki. The Pleasures of the Peephole: An Archaeological Exploration of Peep Media In Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium, edited by Eric Kluitenberg, 74-155. Rotterdam: NAi, 2006.
  • Rovaniemi Art Museum, ed. George Legrady: Interactive Media Art. Rovaniemi: 1995.
  • Huhtamo, Erkki and Perttu Rastas, ed. Outoäly - Alien Intelligence. Helsinki: Kiasma Nykytaiteen museo - Museum of Contemporary Art, 2000.
  • Sommerer, Christa and Laurent Mignonneau. Haze Express In Outoäly - Alien Intelligence at KIASMA Museum of Contemporary Art, edited by Erkki Huhtamo and Perttu Rastas, 104-105. Helsinki: KIASMA Museum of Contemporary Art, 2000.
  • Huhtamo, Erkki. From Kaleidoscomaniac to Cybernerd. Notes toward an Archeology of the Media Leonardo 30, no. 3 (1997): 221-224.