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  • Joel Slayton is an artist, writer and theoretician. He is currently Professor of Digital Media Art at San Jose State University, where he serves as Director of the CADRE Institute, an interdisciplinary academic research center. Mr. Slayton is the
  • International arts collective founded by Verónica Peráles, Fred Adam and Andy Deck, concerned with ecology, sustainability, and media. Since its formation in 2001 it has produced a series of critically acclaimed works and exhibitions under the
  • In Telematic Dreaming (1992) a live telematic video installation linking two sites first exhibited at the legendary Koti Exhibition in Kajaani, Finnland, a bed is the medium for high definition images: images of a partner, perhaps many thausands of
  • Huhtamo, Erkki. Twin-Touch-Test-Redux: Media Archaeological Approach to Art, Interactivity, and Tactility In MediaArtHistories, edited by Oliver Grau, 71-101. Cambridge, MA: MIT Press, 2006.
  • Hauser, Jens. Observations on an Art of Growing Interest: Toward a Phenomenological Approach to Art Involving Biotechnology In Tactical Biopolitics: Art, Activism, and Technoscience, edited by Beatriz Da Costa and Kavita Philip, 83-103. Cambridge:
  • Andreas Zingerle is a media artist, designer, lecturer and researcher from Austria. He received his PhD from the University of Art and Design Linz (Austria) researching topics such as Internet crime, fraud and scam, vigilante counter-movements and
  • Berlot, Uršula. Duchamp and the Notion of Optical Tactility Art, Emotion and Value. 5th Mediterranean Congress of Aesthetics. University of Murcia (2011).
  • Con(tacto) -
    Event: Con(tacto)Institution: Cultivamos CulturaComment:
  • Twisted Turtle -
    Twisted Turtle is an interpretation of the Korean "Turtle Ship". Commissioned by artist Nam June Paik for a 300 monitor video installation at the Taejon World Expo. (Rebecca Allen)
  • Sophie Taeuber-Arp's Vanishing Lines Myriam Thyes, 2015, animation, HD video, 10:10, loop, stereo. Sound: Silvia Pachler. In what is, prima facie, a mesh of abstract lines, no few of the works that Sophie Taeuber-Arp completed between 1940 and 1942