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  • ... Award 2002 and the curator of “Sonic-Differences” as part of the Biennale of Electronic Arts Perth 2004.. Although the power of hindsight may be both convenient and illusory, the development of my creative practice to incorporate broad areas of science and...
  • Lin Pey Chwen’s oeuvre extends from sculpture to interactive digital installations. Over the course of more than twenty years, her work encompasses a unique approach to media art and technology exploring a critical understanding of contemporary
  • ... an article in the Süddeutsche Zeitung not so long ago. "The right algorithm generates wealth like a gold nugget and is as powerful as a nuclear bomb."(1) The writer Andrian Kreye describes algorithms as "fundamentalist key texts" that establish "cast-iron...
  • William Kentridge -
    ... Kentridge's perspective illuminates our understanding of how the system affected those who occupied positions of relative power under it. But Kentridge's art is more than a commentary on apartheid. It is about what takes place when people go about their...
  • ... GalleryMacumaína.Domingues' first “participatory multimedia installations”, as Paragens, focused ondemonstrating the power of images, their transformations through electronic devices and theirtransformative effect on our memory. Combined with various...
  • Eduardo Kac, pioneer of multiple art genres like Telematic Art, Transgenic Art and Bio Art, guides us through 40 years of radical changes in the body-technology relationship, offering different approaches on how to reflect the boundaries of human
  • ... should be a central aim of the artist.However, Kac’s idea is not to take the role of a divine creator, but to question the powerand cultural impact of biotechnology and, on the other hand, to “call for a dialogicalrelationship between artist,...
  • Diana Domingues, a pioneering artist-engineer, scholar, and researcher from Brazil, has impacted and shaped the landscape of electronic art in Latin America. By bridging the realms of intangible culture and rituals within Latin American native
  • ... performers. The musicians needed to be able to see each other in order to give cues while improvising, and most also needed power sources. They also couldn’t be too close, crowding the central table. We spaced the performers out around the perimeter to...
  • .. making visible that which is not before our eyes, that which is not directly evident nor exposed to the view ..