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  • ... Exposition collective Participants: Morehshin Allahyari, Eduardo Kac, Nicolas Maigret - Maria Roszkowska - Clément Renaud,... collective Participants: Morehshin Allahyari, Eduardo Kac, Nicolas Maigret - Maria Roszkowska - Clément Renaud, Laurent...
  • ... Inscription Device Signs of Life: Bio Art and Beyond, Ed. Eduardo Kac, MIT Press (2007): 277-283. Device Signs of Life: Bio Art and Beyond, Ed. Eduardo Kac, MIT Press (2007): 277-283.
  • ... & Laurent Mignonneau, Dieter Buchhart, Gloria Friedmann, Eduardo Kac, et al. curator: Anna-Karina Hofbauer Aarhus Center for... Laurent Mignonneau, Dieter Buchhart, Gloria Friedmann, Eduardo Kac, et al. curator: Anna-Karina Hofbauer Aarhus Center for...
  • Cypher -
    "Cypher" is an artwork that merges sculpture, artist's book and a DIY transgenic kit. It measures approximately 13 x 17 " (33 x 43 cm) and is contained in a stainless steel slipcase. When removed from the case, the kit — itself also made of
  • ... presents key molecules used in the production of each poem." (Kac, 2011)
  • University of Kentucky, ed. Holopoetry. Essays, Manifestoes, Critical and Theoretical Writings. Lexington, US: New Media Editions, 1995.
  • ...… is a series of works comprised of what Kac calls "biotopes", that is, living pieces that change during the exhibition in response to internal...
  • Storms
    An interactive hypertext piece based on the sefirotic tree of the Kabbalah. "Storms" is organized in vocalic and consonantal bifurcations. To navigate through the poem one is invited to click on a letter at any given time. In some instances,
  • D/eu/s -
    When viewers logged on they first saw a black screen. Then, a small white rectangle appeared in the middle of the screen. Slowly, vertical bars descended inside the horizontal rectangle. At the bottom, viewers saw apparently random letters and
  • Recaos -
    When viewers logged on, the first saw the letter C on the lower right corner of the screen. The letter A appeared above the C, followed by a series of letters O moving upwards. This motion was against the default mode of the videotex medium, which