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  • Cassim, Julia. Artec Biennale on an upswing, Part 2 The Japan Times (May 1995).
  • Penny, Simon. Death of the New (Venice Biennale 1984) Artlink (1984).
  • Lozano-Hemmer, Rafael. Re:Positioning Fear, Relational Architecture 3 In Internationale Biennale Film und Architektur, Graz, AUT: 1997.
  • Philip Beesley is a professor in the School of Architecture at the University of Waterloo. A practitioner of architecture and digital media art, he was educated in visual art at Queen’s University, in technology at Humber College, and in
  • Maite Cajaraville combines her artistic career with curator commissions since 1993. She is a media and video artist and AV performer whose creations have been exhibited in festivals and events such as the Venice Biennale, Sónar Festival of Advanced
  • Paul Garrin began working with video while studying fine arts at the Cooper Union School of Art in New York. His works over the past 20 years encompass a full spectrum of analog and digital media from video to the Internet, exploring media and the
  • Janet Cardiff was born in Brussels, Ontario in 1957. She began her formal art studies at Queen's University, where she earned her bachelor's degree in 1980. In 1983, she earned a master's degree in Visual Arts from the University of Alberta. During
  • Grau, Oliver. Media Art needs Histories and Archives In The 5th Seoul International Media Art Biennale, edited by Seoul Museum of Art, 23-25 and 36-50. Seoul, Korea: Seoul Museum of Art, 2008.
  • Kisseleva, Olga and Oliver Grau. Theory and Practice of Media Art: Aesthetic Parergons and Perspectives In First Post Industrial Contemporary Art Biennale, edited by NCCAEkaterinburg: NCCA, 2010.
  • The work of the Italian artist Pier Giorgio De Pinto thrives on the relationship between representation and concept in a constantly and suddenly changing image-based society in search of a new identity. Since the sixties, recent changes have been