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  • Sarah Cook
    Sarah Cook is a Canadian scholar, historian and curator in the field of New Media art, who is based in Newcastle upon Tyne. Cook is a Research Fellow at the University of Sunderland, where she works with the research institute CRUMB – Curatorial
  • Charlotte
    Char Davies is internationally recognized for pioneering artworks using the technologies of virtual reality. Originally a painter, she transitioned to digital media in the late-80s, becoming a founding director of the 3-D software company Softimage.
  • Pain Games. Pain as sensory stimulus in the context of videogame-based digital art
    Waelder, Pau. Pain Games. Pain as sensory stimulus in the context of videogame-based digital art artnodes , no. 7 (2007): 61-70.
  • Innovation regimes based on collaborative and globaltinkering: Synthetic biology and nanotechnology in thehackerspaces
    Kera Denisa. Innovation regimes based on collaborative and global tinkering: Synthetic biology and nanotechnology in the hackerspaces Elsevier- Technology in Society (2013): 10.
  • The Photo-Based Work of Art in the Age of Digital Simulation
    Madill, Shirley. The Photo-Based Work of Art in the Age of Digital Simulation Blackflash 15, no. 2 (1997): 12-20.
  • Leif Brush
    Leif Brush was an emeritus art professor at the Department of Art & Design, University of Minnesota, Duluth, Minnesota, born 28 March 1932, Bridgeport, Illinois, U.S.A. He received an MFA from the School of the Art Institute of Chicago:
  • Nancy Buchanan
    Nancy Buchanan is a Los Angeles-based artist whose practice includes installation, drawing/mixed media, performance and video. Politically outspoken against nuclear war and American international policies, Buchanan began performing in the 70s during
  • Caterina Davinio
    Caterina Davinio is an Italian computer artist, writer, and curator. Born in Foggia in 1957, she was raised in Rome and received her degree in Italian Literature at Rome University La Sapienza, where she studied with Giulio Carlo Agan, Alberto Asor
  • The Photo-Based Work of Art in the Age of Digital Simulation
    Madill, Shirley. The Photo-Based Work of Art in the Age of Digital Simulation Blackflash 15, no. 2 (1997): 12-20.
  • I Turtle? Thoughts and Paradoxes based on Su-Mei Tse's Ich-Manifestation
    Hauser, Jens. I Turtle? Thoughts and Paradoxes based on Su-Mei Tse's Ich-Manifestation In Su Mei-Tse, edited by Enrico Lunghi and Susanne Ghez, 167-185. Chicago: The Renaissance Society at The University of Chicago, 2006.
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