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Frontier 2013

Event: FrontierInstitution: Laboratoria ART&SCIENCE spaceComment:
Networked interventions: debugging the electronic frontier 2002

Erickson, Christa. Networked interventions: debugging the electronic frontier In Embodied utopias: gender, social change and the modern metropolis, edited by Amy Bingaman and Lise Sanders and Rebecca Zorach, 225-241. London: Routledge, 2002.
Virtual Unreality – Interactive Artworks on the Virtual Frontier 2007 - 2008

Event: Virtual Unreality – Interactive Artworks on the Virtual FrontierInstitution: ExploratoriumComment:
Zonas de contactoArt History in a Global Network 2022 - 2022

Twenty years ago, Mary Louise Pratt proposed the notion of a “contact zone” as a place where culture is negotiated and challenged. Art can bridge or destabilize disciplines and methods in ways that reframe histories and bring new insights. Still, on
Art Gallery of Nova Scotia - Halifax (Canada) / "The Last Frontier" / curator : Sarah Fillmore 2012

Event: Art Gallery of Nova Scotia - Halifax (Canada) / "The Last Frontier" / curator : Sarah FillmoreInstitution: Ars Electronica Linz GmbH & Co KGComment:
Art Gallery of Nova Scotia - Halifax (Canada) / "The Last Frontier" / curator : Sarah Fillmore 2010

Event: Art Gallery of Nova Scotia - Halifax (Canada) / "The Last Frontier" / curator : Sarah FillmoreInstitution: Ars Electronica Linz GmbH & Co KGComment:
Présences virtuelles 1999

Bellour, Raymond. Présences virtuelles In Les Frontières esthétiques de l'art, , 179f.. Paris: L'Harmattan, 1999.
“artiste et plasticien des arts numériques / Les Tunnels Around the World abolissent-ils les frontières, relient-ils les territoires par l’image ?” Aux frontières du reel… et du virtuel / mobilités transfrontalières 2014

Event: “artiste et plasticien des arts numériques / Les Tunnels Around the World abolissent-ils les frontières, relient-ils les territoires par l’image ?” Aux frontières du reel… et du virtuel / mobilités transfrontalièresInstitution: 12e
The Body Remembers 1996 - 1996

Spanning 22 years and three continents, the performance, video and digital media work made by Jill Scott coalesces at points that are both corporeal and mechanistic. The differing themes and effects of each work are supported by a range of interests
Frontiers of Utopia 1995 - 1995 video

In the installation Frontiers of Utopia the visitor is confronted with eight virtual female characters, based on the histories of real women who were born in different periods: 1900, 1930, 1960 and 1990. All eight characters dream of the way in

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