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(in)visible
2006
-
2006
Event: (in)visibleInstitution: CAPCComment:
Mirrors
2009
MIRRORS Commissioned by Artwise Curators for REGUS HQ, Berkeley Square, London / 2009 ‘Mirrors’ in London’s Bruton Street is rAndom’s first permanent installation in the UK and has been completed in early April 2009. Evolving from the
Thomas Porett
The foundation of my work has always begun with the photograph, which has been rightly considered a “moment” often effectively standing as a singular, self-contained expression. Although this is certainly one important aspect of photography, it has
The Earth, Our Home: Art, Technology and Critical Action, ACM SIGGRAPH Digital Arts online USA
2022
-
2022
Deep rooted vision, profound and ingrained, the splendour of human or artificial intelligence having the capacity to master and enrich innovative scientific solutions whilst unravelling problematic complexities. In creating these artworks: ‘Measure
Humanisation et naturalisation des technologies : de l’interactivité aux systèmes enactifs-affectifs
2022
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2022
The human-technology relationship opens up a new environment linked to the effects of technologies on our lives and causes an anthropological revolution through the presence of interactive systems that modify our perception of the world. In the last
le Tunnel sous l'Atlantique
1998
Event: le Tunnel sous l'AtlantiqueInstitution: Arc en Rêve, CAPC, BordeauxComment:
Le Cours des choses
2020
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2020
Event: Le Cours des chosesInstitution: Museum of Contemporary Art of Bordeaux (CAPC)Comment:
Orbit
2002
-
2008
A light source rotates around the visitors like a satellite, causing their shadows to rotate like a clock. The waxing and disappearing of the shadow distort their faces. Although it turns about 1440 times faster than the midnight sun at the North
Interactive Art
1996
Yamaguchi, Yumi. Interactive Art Cape X 6 (December 1996).
World-Wide Video Festival
1982
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