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Video installation Series 'Bags' Ten bags, stacked with their opening facing forward, form a free-standing sculpture. The flicker of a television picture is projected onto the front, and the image of the abstract television image continues into the

Computer-controlled interactive light installation Polytechnic school Bregenz (AT), extension Baumschlager/Eberle, competition, realization 1996–8 [English title, 'Seeing Language'] In each of the three staircases of the new building of the HTL

Video installation Series 'Bags' 24 bags are arranged in 4 horizontal rows, forming a staircase. From a frontal view, a rectangular spatial body is created by the identical shape of the bags (white rectangular form, handles). This object is leaning

Video installation Series 'Bags' A variable number of paper bags form a rosette shape on the floor. From the top, pictures of tattoo motifs are projected onto the bags. The projection body seemingly becomes the surface of a human body.

The Space Between 1 and 2Artist: Ruth SchnellComment:

Dynamic projection The dynamic image projection 'Topography of Movement' features two oversized hands in motion. They seem to be feeling out their environment, gliding or swiping over the surface upon which they rest. The two cropped projections

Video sculpture [English title, Dream bed] INSTANT body, INSTANT coitus, INSTANT dreams The fast-paced images are freeze-dried, the fast-paced dreams static, the people coded, the codes interchangeable. Porn is the dream of de-sensualized sexuality,

[English title, fivezeroplus] Light object Series 'Lichtbilder' The work 'fünfnullplus' from the series 'Lichtbilder' seems at first sight to be a monochrome painting. In the glossy, translucent body of the image, a vertical bar of white LEDs is

Interactive computer video installation Three doors of the environment 'Tür für Huxley' ('Door for Huxley') simulate the entrance to different realities. The observer has the choice between pure observance of a conserved and continuosly repeating

Light objects Series 'Mirrors of the Unseen (MotU)' At what point are terms recognisable and integrable into one’s own linguistic system? Which synonymous manifestations does language have? The light objects 'MotU #1 to #3' present onomatopoetic