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“Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new

Exhibition: "Sound Vibes" (until 20th October 2019) With works of Adam Basanta, Jacopo Baboni Schilingi, Katharina Zimmerhackl, Laurent Mignonneau & Christa Sommerer (represented by Galerie Charlot), Peter Beyls, Roberto Pugliese Curated by:

2012 SHOW OFF LAB’ Edition 2012 (during the FIAC in Paris, October, 17th-21st 2012) Artists: Joseph Nechvatal, Pascal Dombis, Grégory Chatonsky, Miguel Chevalier, France Cadet, RYBN, Lydia Venieri, Julien Levesque, David Guez, Marika Dermineur &

Event: Group Exhibition of Propinquity in Come Out and Play San FranciscoInstitution: SOMartsComment:

“Ins Universum der technischen Bilder” or “Lob der Oberflächlichkeit“ – with such programmatic titles Vilém Flusser (1920–1991) advanced to become one of the most influential thinkers to deal with communication and media in the 20th century. Flusser

2010 John Curtin Gallery (5 February - 30 April 2010) "Art in the Age of Nanotechnology" Perth International Arts Festival exhibition curator: Chris Malcolm artists: Christa Sommerer (Austria) & Laurent Mignonneau (France); Paul Thomas (Aus) &

50 years of Leonardo

Event: City Sonic – International Sound Art Festival - Louvain-La-Neuve (Belgium) / Curator : Philippe Franck, Jaques UrbanskaInstitution: Ars Electronica Linz GmbH & Co KGComment: