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  • To Touch
    ... the viewer is a viewer from distance, are turned around. The art pieces starts to be art only after an active action of the viewer....
  • And so Eduction: the "alien within", as a hybrid architecture of real and virtual, as performance, as installation and concert, opens the horizon of virtual worlds capable of interacting at the deepest levels of mental activity of the surfing
  • ... Dervish provides interaction and chance participation between artists and public. A dancer in goggles and gloves interacts with...
  • ... scarily captivating 13-minute multimedia experience. But the artists' mind-boggling interweaving of visual and aural systems...
  • Playhouse
    Janet Cardiff’s Playhouse [1997], a collaborative installation with George Bures Miller was first exhibited at the Barbara Weiss Gallery in Berlin. Playhouse combines sculpture, sound, video and performance in a fusion that experiments with
  • The Shredder -
    Shred the Web! An Alternative web browser that turns web pages into digital confetti. At a time when the web browser struggled against print metaphors like magazine and newspapter to find it's own identity, The Shredder revealed the "soft" nature of
  • Digital Landfill -
    ...An neverending archive of digital trash. The artist has created an interface, in which the User can copy files from his computer or foreign...
  • p-Soup -
    ... on screen whenever a visitor to the piece clicks within the art-work. There are nine graphical "flavors" that the visitor can...
  • Ripple -
    "p-Soup" and the forerunner "Ripple" are more formal graphic approaches to the Internet and the computer, using the possibilities of the Internet as an interactive shared space for creating aesthetic experience. (source:
  • ... with computer effects. Heatseeking suggests, in the artist's words, "an observing network at work," capturing erotic...