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...The virtual space created by Dancing with the Virtual Dervish provides interaction and chance participation between artists and public. A dancer in goggles and gloves interacts with intelligent and controllable computer generated objects while a series of projections...

... by Janet Cardiff and George Bures Miller, is an almost scarily captivating 13-minute multimedia experience. But the artists' mind-boggling interweaving of visual and aural systems of illusion -- which won them an award at last year's...

Janet Cardiff’s Playhouse [1997], a collaborative installation with George Bures Miller was first exhibited at the Barbara Weiss Gallery in Berlin. Playhouse combines sculpture, sound, video and performance in a fusion that experiments with

Shred the Web! An Alternative web browser that turns web pages into digital confetti. At a time when the web browser struggled against print metaphors like magazine and newspapter to find it's own identity, The Shredder revealed the "soft" nature of

...An neverending archive of digital trash. The artist has created an interface, in which the User can copy files from his computer or foreign websites - he can trash them. In a few seconds the files appear in different layers on the monitor. Now you can grab into old...

..."p-Soup", a multiuser piece, uses algorithms to generate graphical events on screen whenever a visitor to the piece clicks within the art-work. There are nine graphical "flavors" that the visitor can choose from, but there are endless possibilities to the way these can...

"p-Soup" and the forerunner "Ripple" are more formal graphic approaches to the Internet and the computer, using the possibilities of the Internet as an interactive shared space for creating aesthetic experience. (source:

... crossing over from Mexico, then digitally edited and supplemented with computer effects. Heatseeking suggests, in the artist's words, "an observing network at work," capturing erotic and occasionally violent scenarios set at various locations in...

... age of the panoptic principle between punishment and pleasure, between pleasure and pain." (Peter Weibel, "Jordan Crandall: Art and the Cinematographic Imaginary in the Age of Panoptic Data Processing" in Drive, Hatje Cantz Verlag, 2003).

... in new works. To date there have been over thirty Recollections systems installed worldwide. Recollections IV is an Artwork that is completed by the viewer; it is a collaboration. Even the most inhibited people seem to rise to the occasion and...