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ART+COM: Media Spaces and Installations
2011
Sauter, Joachim and Susanne Jaschko and Jussi Ängeslevä, ed. ART+COM: Media Spaces and Installations. Berlin: Gestalten Verlag, 2011.
Sistemas enativos biocíbridos: sinestesia e afetividade na reengenharia da vida
2014
DOMINGUES, DIANA MARIA G. Sistemas enativos biocíbridos: sinestesia e afetividade na reengenharia da vida In Tecnologia e Saúde, edited by Ana Paula MACHADO VELHO and Cássia Kely FAVORETTO COSTA and Miriam Ieda YAMAGUCHIVol.1. , 39-77. Maringá:
Saúde, Tecnologia e Ambiente: um relato de mobilização contra a dengue
2015
VELHO, A. P. M and Diana Domingues and S. C VERMELHO and Lucena,Tiago. Saúde, Tecnologia e Ambiente: um relato de mobilização contra a dengue Ambiente & Sociedade 18 (2015): 10-20.
Julius von Bismarck
The medium of light transversing a space is the very property that makes space experiential, and therefore 'real'. Julius then might use optical elements such as mirrors and lenses, to add an-other dimension to these physical spaces. Drawing on
Expect the Unexpected | Aktuelle Konzepte für Fotografie
2023
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2023
Exhibiting artists: Banz & Bowinkel, Tim Berresheim, darktaxa-project, Heather Dewey-Hagborg, Philipp Goldbach, Beate Gütschow, Spiros Hadjidjanos, Fabian Hesse & Mitra Wakil, Baron Lanteigne, Oliver Laric, Simon Lehner, Achim Mohné, Susan Morris,
L'architecture de la cyberception
1996
Ascott, Roy. L'architecture de la cyberception In Les cinq sens de la création, edited by M. Borillo and A. Sauvageot, 184-194. Seysell: Editions Champ Vallon, 1996.
Blane Savage
Artist: Blane SavageComment:
A Fair to Remember
1995
Savaiano, Jacqueline. A Fair to Remember Entertainment Weekly (June 30th 1995).
High Tech artists Create Interactive Installation Addressing Poetics of Presence
2002
Savani, Jackie. High Tech artists Create Interactive Installation Addressing Poetics of Presence Engineering Today, UCSB Journal XXVIII (2002).
Dinosaurus
2001
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2001
This KU Theatre for Young people production is another step in the University Theatre's ongoing work with virtual reality technology. Director Patrick Carriere, Bemidji, MN, graduate student, and Mark Reaney professor of theatre & Film teamed
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