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Andreas Müller-Pohle
Born in Brunswick, Germany, in 1951. Studied economics and communications at University of Hannover and University of Göttingen, 1973-79. Artist and publisher. Editor of European Photography magazine, Göttingen and Berlin, since 1980. 1985-94
Susan Narduli
Susan Narduli is a Los Angeles-based artist and Principal of Narduli Studio – an interdisciplinary design practice with commissions in public art, public spaces, digital installations, light environments, and landscapes. She holds a Bachelor of Fine
Infinity Divided by Sixteen
1987
video
In this interactive installation the visual and auditory components of the work were interconnected and closely related. A finely perforated projection screen was visibly divided into sixteen sections. Behind each section was a speaker connected to
National Flowers [Observation]
2021
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2021
There is the only one country in the world to have a hybrid as her national flower. It is a free flowering plant and each inflorescence can bear up to 8 buds, and usually the same amount of flower blossom at a time. Each flower measures up to 30 cm
Solar Display
2008
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2008
video
Artists who create interactive systems and artistic interface designs have begun to look for new display possibilities. For this reason façade’s of contemporary buildings have been largely investigated as a sort of membrane for the display of
Alle möglichen Welten. Virtuelle Realität, Wahrnehmung, Ethik der Kommunikation
1999
Fassler, Manfred. Alle möglichen Welten. Virtuelle Realität, Wahrnehmung, Ethik der Kommunikation. München: Wilhelm Fing Verlag, 1999.
Warren Neidich
Warren Neidich is a Berlin and Los Angeles based post-conceptual artist, theorist and writer who explores the interfaces between cultural production, brain research and cognitive capitalism. “Art Before Philosophy not After”. His interdisciplinary
GENMA
1996
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1997
video
GENMA is a machine, that enables us to manipulate 'Nature'. Nature exemplary is represented as artificial nature of a micro scale: abstract amoeboid artificial three-dimensional forms and shapes. Principles of artificial life and
reConFIGURING the CAVE
1998
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1998
These are reconfigurations of the original work conFIGURING the CAVE (1997) that for reasons of economy use simplified projection and interface technologies. Instead of the four screen environment, only one wall screen, or combination floor and
Finger Codes
2014
Finger CodesArtist: Eleanor Gates-StuartComment:
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