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Le Scatole Ziventi
2012
-
2012
Link to blog by Alan Shapiro featuring text by exhibition curator, Claudio Cravero.
Le scatole viventi / The Living Boxes
2012
-
2012
Event: Le scatole viventi / The Living BoxesInstitution: Castello di RivoliComment:
Scatter
1993
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1993
"Scatter" documents dispersals of iris seeds, plants and pollen outside of Gessert's Garden.
Feeding Consciousness
2023
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2023
Feeding Consciousness takes inspiration from the fabled tower of Babel, when a united and ambitious people having attempted to reach for the stars, were confounded by God, their previously common language made incoherent, forcing them to scatter
Cosmic Matter
1990
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1990
Cosmic Matter brings forth Csuri s ability invoke Surrealism and Abstract Expressionism within the realm of technology. As Maurizio Calvesi eloquently described the dynamics of this piece, Cosmic Matter is an explosion of coloured splinters, in a
Passage Sets - One Pulls Pivots at the Tip of the Tongue
1995
-
1995
video
Passage Sets / One Pulls Pivots at the Tip of the Tongue (1995) is an interactive installation that functions as an elaborate navigable audio/visual poem. Seaman worked with Chris Ziegler as the programmer for this work. Three projections comprise
The Shredder
1998
-
1998
...Shred the
Web
! An Alternative
web
browser that turns
web
...
Sonicity
2000
-
2009
Sonicity by Stanza Sonicity is a responsive installation, a sonification of the data space. The sounds you hear are the sound of the changing environment, ie the changes of noise, light, temperature of the space is turned into a real time sound
Concentricity
2019
-
2019
Do you know that feeling when you've taken LSD and, while observing a nondescript object, a jolt suddenly hits you? You notice an incredible wealth of details! Something you thought was mundane is actually incredibly beautiful, filled with textures
Golden Nuggets
2012
-
2013
Intervention At th
e bo
ttom of the Silvretta reservoir dam unfolds a landscape that is touristically barely developed. Stones rupture the alpine turf. Some of these stones were gilded in the artist's studio, shown in exhibitions and later returned to
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