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asciiimage
2015
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2015
ASCIIImage aims at creating an online tool to generate ASCII art from jpg images uploaded by its visitors. This net-art work discusses the intersections of words and images by implementing an algorithm that recognizes luminance of different areas of
freequent traveller
2002
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2002
Freequent traveller is an interactive installation by the Berlin based artist Susanne Schuricht. The interface consists of a hammock, whose movement is tracked by a custom-made hardware interface. The incoming data are then interpreted by a special
//**Code_UP
2004
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2004
//**Code_me_UP investigates the role of the code in the meaning construction and the forms of visibility mediated by mobile communication devices. In the exhibition space, the audience can capture pictures with cell phones with camera and send
E-Dentidades. Loading-Searching-Doing (Cartografías del Sujeto Online)
2004
Zafra, Remedios. E-Dentidades. Loading-Searching-Doing (Cartografías del Sujeto Online). Barcelona, Spain: Mediateca Caixaforum, 2004.
Net.art, de dentro afuera
2004
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2004
Event: Net.art, de dentro afueraInstitution: Centre de Cultura Sa Nostra de PalmaComment:
Taipei Art and Technology Exhibition
2000
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2000
Event: Taipei Art and Technology ExhibitionInstitution: DEOAComment:
Wasserzaun
1990
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1991
Sensor-controlled interactive water installation, customs clearance caravan tunnel Austrian–Slovenian border crossing, competition 1990, realization 1991 "The speed of the sinusoidal wave motion depends on the traffic density and the speed of the
Digital Mudra
1987
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1987
"Digital Mudra" begins with a collection of photographs from Rapoport's interactive performance entitled Biorhythm (1983). Participants, to test their own evaluation of their biorhythm condition against a computer assessment of their
Kurzweil´s Turing Fallacy
2002
Ray, Tom and Georg Gilder and Ray Kurzweil and Michael et. al. Denton. Kurzweil´s Turing Fallacy In Are We Spiritual Machines. Ray Kurzweil vs. the Critics of Strong AI, edited by Jay RichardsSeattle, WA: Discovery Inst, 2002.
The Picture That Ate My Soul
1992
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1993
This piece was created as an interactive 'virtual gallery' in which the user can explore a computer rendition of the gallery in which the computer is housed. It is also possible to depart this space and enter into a number of fantasy spaces,
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