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  • TRANSLUCENT MEMBRANE
    Plexiglass, artificial resin, projection, reflection plexiglass dim: 180 x 100 cm; immaterial parts: variable dimensions 'In her art works, Uršula Berlot is observing the influences of so called coincidences and the results that uncontrolled
  • Imaginary Skyrmions
    #1 Vortex #2 Torus #3 Skyrmion Lattice #4 Skyrmion Collapse #5 Cross (B=16 Skyrmion) #6 Spiral (cross-section of horizontal vortex) kinetic light objects (series of 6) plexiglass, LED reflectors, turntables variable dimensions, diameter: 60 cm,
  • FACT Centre -
    External lighting scheme During the early stages of the building design a concept for the external skin of the building was defined. As the building specification required predominantly ‘black-box’ spaces (cinemas/galleries), very few options were
  • Extruder -
    The automobile is a fascinating machine. Since its inception the automobile has driven us faster and faster into the future. Carving out the modern world, it has done brilliantly, reproducing itself by the multi-millions. Along the way it has
  • Creatures #4 -
    CREATURES #4 6/7/8 May 2016 16:00-21:00 Opening on Friday 6 May 2016 at 16:00 Interactive installation by Pier Giorgio De Pinto @ Keck-Kiosk Klybeckstrasse 1b, Basel Tram Nr.8 - Stop Kaserne keck-kiosk.ch/interaktive-installation-creatures-4/ All
  • Jury Statement
    Herken, Rolf. Jury Statement In Der Prix Ars Electronica: International Compendium of the Computer Arts, edited by Christine Schöpf and Christian Schenk and Paul Pritchard, 18. Linz: Veritas-Verlag, 1993.
  • The Yearning
    Davies, Char. The Yearning In Der Prix Ars Electronica: International Compendium of the Computer Arts, edited by Christine Schöpf and Christian Schenk and Paul Pritchard, 26-29. Linz: Veritas-Verlag, 1993.
  • Artificial Changelings
    A romance thriller about shopping, Artificial Changelings is presented as an installation in which one person at a time uses body movement to interact with sound and images. Viewers can take turns either as particpants or spectators. The story opens
  • Bio-medical Signals in Media Art.
    Robles-Angel, Claudia and J. Birringer and U. Seifert and L. Scherffig. Bio-medical Signals in Media Art. ISEA 2017 Proceeding ISBN 978-958-759-161-3. (2017): 720-29.
  • Paul Vanouse - Fingerprints
    Vanouse, Paul and Simon A. Cole and Jens Hauser and Hans-Jörg Rheinberger. Paul Vanouse - Fingerprints. Germany: Jens Hauser and Heike-Catherina Mertens, Schering Stiftung, 2011.
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