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...Interactivity: the dead end of our artistic era

Hope in fusion with Utopia is here in perspective, looking at St Virgil, which has become part of the every day (esthétique du quotidien). By fragmenting the space and recontextualising elements of the place, utHOPEia is "hoping" to have the

Stills from a series of computer generated animations These works were produced using a home-built S-100 bus system employing asynchronous 8MHz/11MHz 8080/8088 (8 bit/16 bit) CPU's and Matrox video cards with home-developed digital to analogue

This work is based on the concept of the refraction of a triangular prism, playing with the transformation of light and shadow in combination with musical creativity. The result is shared on a cloud database, collecting each part of sharing and

The work uses remote visual sensing techniques to track the viewer. The position of the viewer in front of the image controls the activity of the figures across the bottom of the screens. The viewers actions also control their ability to talk, as

Sensetable is a system that wirelessly tracks the positions of multiple objects on a flat display surface quickly and accurately. The tracked objects have a digital state, which can be controlled by physically modifying them using dials or tokens.

A matrix of sixty-four tubes is spread out equally over the room. These tubes bend over extremely slowly as if a slow motion wind were touching them. Leaning into one another they reach out to the visitors like the tentacles of a giant snail. The

This work uses a feature tracking algorithm to extract Scarlett Johanssen’s iconic lips from the costume drama “Girl with a Pearl Earring”. Extracting this one signifier, Scarlett’s mouth, wrenches the true subject of the movie – her lips, and their

enter project here:artport.whitney.orgScroll down to the bottom of the code to launch its results.Please adjust your Java Security Settings for Whitney Museum Artport, in order to launch the Programme.Commissioned by the Whitney

Net.Art http://www1.khm.de/~marcello/html/Net-Art/m3.htm "How does the Inconsistent work, practically?" 6497641 acaatgttta atgcactttt aaagccacat gcgttgtttt 6497701 gaaatttctc attagtcgct gtctaacacg gcacttctgt 6497761 cactttttta ctgaggtagg ggaagtctac