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  • Annunziato, Pierucci, Gemma de Julio
    PLANCTON was founded in the 1994 by a group of three artists (Annunziato, Pierucci and Gemma de Julio) and started the activities with a series of artworks and experiments on expressive languages based on the fusion of different media (video, music,
  • Beyond Manzanar: Creating Dramatic Structure in Ergodic Narratives
    Thiel, Tamiko. Beyond Manzanar: Creating Dramatic Structure in Ergodic Narratives In Conference Proceedings for Technologies for Interactive Digital Storytelling and Entertainment (TIDSE 2004), edited by Stefan Göbel, 246-251. Berlin/Heidelberg:
  • The Distorted Barbie -
    "The distorted Barbie" is a web-art installation that displayed digitally altered images of Barbie dolls in order to comment on Barbie as a cultural/commercial symbol and pop-icon. He published his original Distorted Barbie both on his own site at
  • Der entfesselte Blick
    Lischka, Gerhard Johann. Der entfesselte Blick. Bern: Benteli, 1993.
  • Über die Grenzen des Realen: Der Blick und das Interface
    Weibel, Peter. Über die Grenzen des Realen: Der Blick und das Interface In Der Entfesselte Blick, edited by Gerhard Johann Lischka, 218-245. Bern, CH: Benteli Verlag, 1993.
  • Der entfesselte Blick -
    Event: Der entfesselte BlickInstitution: Kunstmuseum BernComment:
  • Dildomatic Opera -
    Discovering the secrets of nostalgic "circuit bending" it seems that here the drive immediately sadistic turns of its true purpose. The crushing nature of games against child trying to convert sounds, notes and voice stuttering, screaming,
  • Digital Art in Cuba: Increasing enthusiasm for Digital Art
    Atkan, Nancy. Digital Art in Cuba: Increasing enthusiasm for Digital Art New York Arts Review 2, no. 7 (July 2002).
  • Using affective trajectories to describe states of flow in interactive art
    Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. Using affective trajectories to describe states of flow in interactive art International Conference on Advances in Computer Entertainment Technologies (2009).
  • 51st International Short Film Festival Oberhausen -
    "I smoked my first cigarette here. For years, I saw every single film at the Westdeutsche Kurzfilmtage, looking forward to those days in Oberhausen every year . These events were important for me, for my decision to become a filmmaker." Wim Wenders
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