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Avidya: Non-Knowledge Production in the scene of Visual arts Practice 2001

Maharaj, Sarat. Avidya: Non-Knowledge Production in the scene of Visual arts Practice In Education, Information, Entertainment - Current Approaches to Higher Artistic Education, edited by Ute Meta BauerVienna: Selene Verlag, 2001.
AEN Show (Art Entertainment Network)

Online exhibition of Web-based work curated by Walker Art Center.
Sommerer, Christa, "Interactive Systems in Media Art and Entertainment", Lecture at DIME 1st International Conference on Digital Media Entertainment & Arts, Rangsit University, Bangkok (Thailand), 25.10.2006 2006 - 2006

Event: Sommerer, Christa, "Interactive Systems in Media Art and Entertainment", Lecture at DIME 1st International Conference on Digital Media Entertainment & Arts, Rangsit University, Bangkok (Thailand), 25.10.2006Institution: Rangsit University,
The Distorted Barbie 1996 - 1996

"The distorted Barbie" is a web-art installation that displayed digitally altered images of Barbie dolls in order to comment on Barbie as a cultural/commercial symbol and pop-icon. He published his original Distorted Barbie both on his own site at
Der entfesselte Blick 1993

Lischka, Gerhard Johann. Der entfesselte Blick. Bern: Benteli, 1993.
Annunziato, Pierucci, Gemma de Julio

PLANCTON was founded in the 1994 by a group of three artists (Annunziato, Pierucci and Gemma de Julio) and started the activities with a series of artworks and experiments on expressive languages based on the fusion of different media (video, music,
Beyond Manzanar: Creating Dramatic Structure in Ergodic Narratives 2004

Thiel, Tamiko. Beyond Manzanar: Creating Dramatic Structure in Ergodic Narratives In Conference Proceedings for Technologies for Interactive Digital Storytelling and Entertainment (TIDSE 2004), edited by Stefan Göbel, 246-251. Berlin/Heidelberg:
Über die Grenzen des Realen: Der Blick und das Interface 1993

Weibel, Peter. Über die Grenzen des Realen: Der Blick und das Interface In Der Entfesselte Blick, edited by Gerhard Johann Lischka, 218-245. Bern, CH: Benteli Verlag, 1993.
Der entfesselte Blick 1992 - 1992

Event: Der entfesselte BlickInstitution: Kunstmuseum BernComment:
Dildomatic Opera 2011 - 2011

Discovering the secrets of nostalgic "circuit bending" it seems that here the drive immediately sadistic turns of its true purpose. The crushing nature of games against child trying to convert sounds, notes and voice stuttering, screaming,

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