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  • Will the VRoovie replace the Movies? From immersion to Critical Fusion, How Media Art opened the path to new narratives beyond the screen: VR, AR and after ...
    Event: Will the VRoovie replace the Movies? From immersion to Critical Fusion, How Media Art opened the path to new narratives beyond the screen: VR, AR and after ...Institution: International Symposium on Chinese Cinema in the 21st
  • Media Arts and its Chinese Public
    Event: Media Arts and its Chinese PublicInstitution: On the road Symposium, Guan Shanyue Museum of ArtComment:
  • The Earth is Flat – Slovenian and Chinese Contemporary Art
    Event: The Earth is Flat – Slovenian and Chinese Contemporary ArtInstitution: UGM studioComment:
  • Chinese National Culture and Art Corp.
  • Secret Detours -
    The 360° video »Secret Detours« served as an immediate approach to digitally preserve a Chinese garden in Singapore. Currently, my collaborators Benjamin Seide, Ross Wiliams and myself have developed a range of different versions in order to explore
  • Gone Garden VR Experience -
    A tropical garden in Singapore - not as it exists in a photorealistic representation but in our vision and in our memory: The Yunnan garden on NTU campus is currently undergoing redevelopment. Its design was inspired by Chinese Garden architecture
  • Jussi Parikka
    Jussi Parikka is a media theorist, writer and Professor in Technological Culture & Aesthetics at Winchester School of Art (University of Southampton). Parikka has a PhD in Cultural History from the University of Turku, Finland and in addition, he is
  • Golden Blessings SG50 -
    How much do you need to be happy? A participatory augmented reality art project, engaging and questioning mechanisms of consumption and the commodification of happiness. This second edition of "Goldsegen" celebrated Singapore's 50th anniversary and
  • Theodorus Chiotidis
    Artist: Theodorus ChiotidisComment:
  • There`s no Simulation like Home -
    This installation entitled There's no simulation like home is the culmination of artistic telematic research since 1992. The exterior of the installation resembles the back of a plasterboard stage set, or as if the bricks of a house had been
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