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Müller-Jung, Joachim. Hasengrün - Die Gentechnik und ihre Symbole Frankfurter Allgemeine Zeitung (January 13th 2001).

Weibel, Peter. Zur Geschichte und Ästhetik der digitalen Kunst In Supplementband der Ars Electronica 1984, edited by Karl Gerbel, 1-40. Linz: 1984.

Weibel, Peter. Pictorialer Raum in der elektronischen Kunst In Ars Electronica 1986, edited by Karl Gerbel, 133-142. Wien: PVS Verleger, 1986.

Lozano-Hemmer, Rafael. Re:Positioning Fear, Relational Architecture 3 In Internationale Biennale Film und Architektur, Graz, AUT: 1997.

Rodrigues, Sadira. Origin: A Primary Source: Derivation Present: UBC MFA Graduation Catalogue, UBC Belkin Gallery (September 2001 2001): 16-20.

DOMINGUES, DIANA MARIA G. The Immersive Poetics of Artificial Worlds Hybrid Reality Art Technology and The Human Factor 8 (2003): 579-593.

Christiane Paul. Digital Art / Public Art: Governance and Agency in the Networked Commons In Interface Cultures - Artistic Aspects of Interaction, edited by Christa Sommerer and Laurent Mignoneau and Dorothee KingVienna/London: Springer Verlag,

Gil, Iker. Making Visible the Invisible https://mascontext.com/issues/information/making-visible-the-invisible.

Poulin, Marie-Claude and Martin Kusch. passage In Internationales Festival für computergestützte Kunst, edited by Trans-Media-Akademie Hellerau, 74-45. Dresden: Trans-Media-Akademie Hellerau e.V., 2008.

Lipkin, Jonathan and Charles H. Traub. In the Realm of the Circuit: Computers, Art and Culture. Upper Saddle River, New Jersey: Person Prentice Hall, 2003.