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Active Touch and Robot Perception
1984
Goldberg, Ken and Ruzena Bajcsy. Active Touch and Robot Perception Cognition and Brain Theory 7, no. 2 (Winter 1984): 199-214.
Metroscopes
2004
-
2014
Liverpool city has formalised sibling relationships with a number of other citie
s a
round the globe. These arrangements respond to similarities of culture, architecture or commerce and provide a sense of perspective, of a commonality that both
Sea
rch for Simurgh
2019
Sea
rch for Simurgh i
s a
n immersive, interactive performance in
sta
llation named for the Per
sia
n mythological bird akin to a Phoenix. In
Sea
rch for Simurgh, the audience will move through a series of chamber
s a
s they take an active role in this
Stichting Aorta
1982
Art Interactive
2002
Augarten Contemporary
2012
the puppet(s)
2005
video
Two dancers, a vi
sua
l artist and a sound artist, perform live. Performing bodie
s a
s a
n interface between the spectator
s a
nd the media environment. By manipulating the sensors, spectators can modify certain parameters of the media environment.
FACT Centre
2003
-
2005
External lighting scheme During the early
sta
ges of the building design a concept for the external skin of the building was defined. As the building specification required predominantly ‘black-box’
spa
ces (cinemas/galleries), very few options were
the puppet(s)
2005
video
Two dancers, a vi
sua
l artist and a sound artist, perform live. Performing bodie
s a
s a
n interface between the spectator
s a
nd the media environment. By manipulating the sensors, spectators can modify certain parameters of the media environment.
Jörg Auzinger
Joerg Auzinger’
s a
rt deals with the relationship between human, nature and the sociopolitical aspects of a technology-based communication society. Joerg Auzinger’
s a
rtistic work is situated between art, science and technology. In interactive
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