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  • Lischka, Gerhard Johann. Der entfesselte Blick. Bern: Benteli, 1993.
  • PLANCTON was founded in the 1994 by a group of three artists (Annunziato, Pierucci and Gemma de Julio) and started the activities with a series of artworks and experiments on expressive languages based on the fusion of different media (video, music,
  • Thiel, Tamiko. Beyond Manzanar: Creating Dramatic Structure in Ergodic Narratives In Conference Proceedings for Technologies for Interactive Digital Storytelling and Entertainment (TIDSE 2004), edited by Stefan Göbel, 246-251. Berlin/Heidelberg:
  • Weibel, Peter. Über die Grenzen des Realen: Der Blick und das Interface In Der Entfesselte Blick, edited by Gerhard Johann Lischka, 218-245. Bern, CH: Benteli Verlag, 1993.
  • Der entfesselte Blick -
    Event: Der entfesselte BlickInstitution: Kunstmuseum BernComment:
  • Dildomatic Opera -
    Discovering the secrets of nostalgic "circuit bending" it seems that here the drive immediately sadistic turns of its true purpose. The crushing nature of games against child trying to convert sounds, notes and voice stuttering, screaming,
  • Atkan, Nancy. Digital Art in Cuba: Increasing enthusiasm for Digital Art New York Arts Review 2, no. 7 (July 2002).
  • Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. Using affective trajectories to describe states of flow in interactive art International Conference on Advances in Computer Entertainment Technologies (2009).
  • "I smoked my first cigarette here. For years, I saw every single film at the Westdeutsche Kurzfilmtage, looking forward to those days in Oberhausen every year . These events were important for me, for my decision to become a filmmaker." Wim Wenders
  • Transmediale '99 -
    With a new byline ‘international media arts festival berlin‘, transmediale invited artists, scientists and commercial producers in 1999 to present digital worlds and beings in films, video and games. It acknowledged the entertainment industry and