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Arbeiten 2004-2006: Works 2004-2006
2007
Kargl, Michael and Carlos Katastrofsky. Arbeiten 2004-2006: Works 2004-2006. Norderstedt: Books on Demand, 2007.
Culture of the Selfie: Self-Representation in Contemporary Visual Culture
2017
Peraica, Ana. Culture of the Selfie: Self-Representation in Contemporary Visual Culture. Theory on Demand, Amsterdam: Institute of Network Cultures, 2017.
Variant Analyses, Interrogations of New Media Art and Culture
2015
Lichty, Patrick. Variant Analyses, Interrogations of New Media Art and Culture. Theory on Demand, 1 th ed.Amsterdam: Institute of Networked Cultures, 2015.
Blue Window Pane II
1998
-
2000
"Blue Window Pane is a CAVE virtual reality art experience that includes networking, live video, and sound activated graphics. Participants explore and actively ignite events to gain a knowledge base through exploration and perceptual interaction.
TANGENT_FEAR: Inviting Horror
2006
... one's self
from
the public sphere, a...
Soyez réalistes, demandez l’impossible!
2008
Kisseleva Olga. Soyez réalistes, demandez l’impossible!. Arles: Semaine, 2008.
Mobile Unit
2001
-
2001
video
MOBILE UNIT 2001 The basic goal of the Mobile Unit is to provide a fully-fledged networked multimedia environment, which can be set up in any space without a direct Internet connection. This environment should enable people to display, edit and
Black Box, Black Bloc -On cybernetics, black boxes, Tiqqun, and what it means to have "no demands."
2010
-
2010
Event: Black Box, Black Bloc -On cybernetics, black boxes, Tiqqun, and what it means to have "no demands."Institution: New School in New YorkComment:
Firebirds
2004
-
2004
Oracular flames kept captive within birdcages recite speeches of some political leaders of the twentieth century. Gas flames, suitably modulated by electrical fields can be made to act as omnidirectional loudspeakers of surprising clarity and
A Light Rain
2004
-
2004
Viewers take an umbrella, walk into the rainbow, and hear music played by water streams. (source: www.well.com/~demarini)
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