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  • Software Archaeology and the Preservation of Code-based Digital Art
    Marchese, Francis T.. Software Archaeology and the Preservation of Code-based Digital Art In Proceedings of Archiving Conference 2013, edited by Society for Imaging Science and Technology, 25-30. Springfield, VA: 2013.
  • Sandquake -
    Air structure event with Theo Botschuijver Shown at TV Gallery Gerry Schum, Camargue, France, 1969. Long lengths of polythene tubing were buried in the sand at a beach in the Camargue in France. This tubing was then slowly inflated so that it
  • +/- [the infinite between 0 and 1 ryoji ikeda
    Ryoji Ikeda Exploring a new sensorium Japanese artist Ryoji Ikeda creates at the extremes of sound, light and mathematics to produce complex transformative works of singular beauty. In Paris last year he projected vast blinding white light up into
  • ARTEC 97
    The theme concept of the Biennale is 'THE GARDEN: The Successors to Eden', the Biennale proposed the idea of a 'meta-garden': the environment of the near future and unconscious landscapes concealed in close and familiar spaces. The main contents of
  • Breaking Boundaries: VR & Immersive Story, Womens Film Festival -
    Ellen Pearlman: Invited Panel Member
  • Creative Technologies and Innovation: Health and Wellbeing
    DOMINGUES, DIANA MARIA G, ed. Creative Technologies and Innovation: Health and Wellbeing. Vol.1000. 27 th ed.UK: Taylor & Francis, Routlege, 2016.
  • Cyberart and interfaces: the coupled body
    DOMINGUES, DIANA MARIA G. Cyberart and interfaces: the coupled body Digital Creativity, Taylor & Francis 3, no. 15 (2004): 159-173.
  • Golden Gate Fly- Over - video
    Golden Gate Fly-over is a moviemap of the San Francisco Bay Area from the air made the Exploratorium. We used a special gyro-stabilized helicopter camera and satellite navigation to film along a precise ten by ten mile grid centered on Golden Gate
  • GLOBALE: Without Firm Ground – Vilém Flusser and the Arts -
    “Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
  • Sound Vibes -
    Exhibition: "Sound Vibes" (until 20th October 2019) With works of Adam Basanta, Jacopo Baboni Schilingi, Katharina Zimmerhackl, Laurent Mignonneau & Christa Sommerer (represented by Galerie Charlot), Peter Beyls, Roberto Pugliese Curated by:
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