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Kirschner, Morawe, Reiff
//////////fur//// develops art entertainment interfaces for multidimensional multiuser involvement: software-programs in mechatronic artefacts that create dynamic action-spaces for two or more participants. //////////fur////'s guiding idea is the
La Salle de Navigation
1997
Event: La Salle de NavigationInstitution: Cité des sciences et de l'industrieComment:
KITSUN, an Example of Extended Relativity applied to Urban Navigation
2014
Event: KITSUN, an Example of Extended Relativity applied to Urban NavigationInstitution: EuroplA 14: Architecture, City and Information DesignComment:
Navigation sensible, interfaces intuitives, browsing urbain et navigation dans les données culturelles
2010
Event: Navigation sensible, interfaces intuitives, browsing urbain et navigation dans les données culturellesInstitution: i-expo, ParisComment:
The Navigation Room
1997
Event: The Navigation RoomInstitution: City of Science and IndustryComment:
Y Straight Forward
2012
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2012
video
Y straight forward? A city-tour guide of a different sort The human eye is an omnivore and so constantly feeding the corresponding brain cells with loads of information. Only later the important is segregated from the insignificant, but far more
Blue Window Pane II
1998
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2000
"Blue Window Pane is a CAVE virtual reality art experience that includes networking, live video, and sound activated graphics. Participants explore and actively ignite events to gain a knowledge base through exploration and perceptual interaction.
Great Wall of China
1996
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1996
The Great Wall of China is conceived for simultaneous realisation across media, including a Website (1995-96), a CD-ROM with portfolio of prints (1997-99) and an interactive installation (1999). The foundation of The Great Wall of China is a
(collective) Monika Fleischmann | Wolfgang Strauss
Ryszard W. Kluszczyński, 2011: "Monika Fleischmann and Wolfgang Strauss undertook their joint, creative actions in combined fields of art and science in late 1980s. (...) We can say that the art of Fleischmann and Strauss has developed in parallel
IO
1990
Three-dimensional navigational poem in which the letters/numbers I and O appear as elements of an imaginary landscape. IO is "I" in Italian. In this piece it also stands for reconciled differences (one/zero, line/circle, etc.). The reader is invited
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