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  • Bellour, Raymond. Présences virtuelles In Les Frontières esthétiques de l'art, , 179f.. Paris: L'Harmattan, 1999.
  • Event: “artiste et plasticien des arts numériques / Les Tunnels Around the World abolissent-ils les frontières, relient-ils les territoires par l’image ?” Aux frontières du reel… et du virtuel / mobilités transfrontalièresInstitution: 12e
  • Erickson, Christa. Networked interventions: debugging the electronic frontier In Embodied utopias: gender, social change and the modern metropolis, edited by Amy Bingaman and Lise Sanders and Rebecca Zorach, 225-241. London: Routledge, 2002.
  • Twenty years ago, Mary Louise Pratt proposed the notion of a “contact zone” as a place where culture is negotiated and challenged. Art can bridge or destabilize disciplines and methods in ways that reframe histories and bring new insights. Still, on
  • The Body Remembers -
    Spanning 22 years and three continents, the performance, video and digital media work made by Jill Scott coalesces at points that are both corporeal and mechanistic. The differing themes and effects of each work are supported by a range of interests
  • In the installation Frontiers of Utopia the visitor is confronted with eight virtual female characters, based on the histories of real women who were born in different periods: 1900, 1930, 1960 and 1990. All eight characters dream of the way in
  • Virtual tunnels are made to go beyond obstacles, to allow people appart to meet in spite of any form of obstacles. Frontiers and borders are artificial obstacles. Images from the Web reflect on what the zones of tension resulting from borders
  • Borda is a practising media artist and curator with over a decade of experience in lecturing about photography and Western art histories. She is also considered a Canadian pioneer in leading media innovation through the adaptation and re-use of
  • Whittemore, Hank. Your Future Self: A Journey to the Frontiers of Molecular Medicine. London, UK: Thames and Hudson, 1998.
  • Poetry is the art of the word, but it can also be the art of human restlessness before the limits of language. So, it is expected that poets seek to extrapolate the conventional domains of verbal dynamics. One of the ways to do this is to approach