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"make-A-move," is an interactive installation involving two encased flat screens, digital animation, and physical computing. Two automated portraits - a female and a male subject photographed by the artist - react to the movements of passersby.

Video of the launch of a helium ballon to the Stratosphere (20 kilometers high up). The balloon carried a payload with an experiment using 3 black and white video cameras with color filters in front in order to produce a final video in full color.

Songs of the Revolution “A 442 Hz” is a digital single screen installation by Egyptian media artist Sameh Al Tawil Musicians holding different instruments emerge in front of the steadily focused camera from beyond the screen of the film (hors-champ)

Portrait on the Fly an interactive installation © 2015, Laurent MIGNONNEAU & Christa SOMMERER represented by: DAM Galerie Berlin, Galerie Charlot Paris GPL contemporary Vienna The interactive installation consists of a monitor that shows a swarm of

Light objects Series 'Mirrors of the Unseen (MotU)' The term "to see" is often used in common speech synonymously with "to understand" or "to grasp". The phrase ,"If I'm seeing this correctly," is used to signify understanding in consensus with

Video installation A men's shirt is placed on a hanger in front of a wall. The shirt is open and reveals the inside of the back panel, where a vertical crack is projected. The crack appears to blow easily in the wind. The crack allows visual

Interactive computer video installation Three doors of the environment 'Tür für Huxley' ('Door for Huxley') simulate the entrance to different realities. The observer has the choice between pure observance of a conserved and continuosly repeating

“Making of Eve Clone II” extracts a black-and-white grid image of the merged faces of Eve Clone and the Vitruvian Man from “Making of Eve Clone I”. This interactive installation learns to mimic human facial expressions through audience

The computerised light installation 'Dialogue in Transition' employs the transitory character of the 110-meter-long “netwalk” of the EnBW building in Stuttgart, which connects all parts of the complex. Twelve 35 cm-high light sticks with white LEDs